Vincenzo Bellini, Felice Romani, Marina Rebeka, Javier Camarena, Fabricio Maria Carminati, Orchestra del Teatro Massimo Bellini di Catania's 'Il Pirata, Act II: Eccomi a te, Gualtiero' came out on November 19, 2021. The duration of Il Pirata, Act II: Eccomi a te, Gualtiero is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Il Pirata, Act II: Eccomi a te, Gualtiero's duration is considered a little bit shorter than the average duration of a typical track. The song is number 34 out of 49 in Bellini: Il Pirata by Felice Romani, Vincenzo Bellini, Marina Rebeka, Javier Camarena, Fabrizio Maria Carminati, Orchestra del Teatro Massimo Bellini di Catania. The popularity of Il Pirata, Act II: Eccomi a te, Gualtiero is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Il Pirata, Act II: Eccomi a te, Gualtiero by Vincenzo Bellini, Felice Romani, Marina Rebeka, Javier Camarena, Fabricio Maria Carminati, Orchestra del Teatro Massimo Bellini di Catania is Vivace (lively and fast), since this song has a tempo of 171 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 1/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I Capuleti e i Montecchi / Act 1: "O, di Capellio generosi amici...L'amo tanto, e m'è sì cara" | Vincenzo Bellini, Juan Diego Flórez, Nicola Ulivieri, Nikola Mijailovic, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | C Major | 2 | 8B | 138 BPM | ||
Il Barbiere di Siviglia: Finaletto II: Di sì felice innesto - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | B♭ Major | 2 | 6B | 95 BPM | ||
La Wally/Ebben, Ne Andrò Lontana | Montserrat Caballé, Orquesta Sinfónica de Barcelona | E Minor | 1 | 9A | 79 BPM | ||
Tosca | Renata Tebaldi | E♭ Major | 2 | 5B | 84 BPM | ||
Als die alte Mutter | Victoria de los Ángeles | D Major | 2 | 10B | 81 BPM | ||
La Gioconda, Act IV: Suicido! … | Amilcare Ponchielli, Maria Callas, RAI Symphony Orchestra, Turin, Antonino Votto | D Major | 1 | 10B | 86 BPM | ||
Cavalleria rusticana: "Dite, mama Lucia" | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | F♯ Minor | 1 | 11A | 139 BPM | ||
La Cenerentola / Act 1: "Una volta c'era un re" | Gioachino Rossini, Teresa Berganza, Margherita Guglielmi, Laura Zannini, Ugo Trama, London Symphony Orchestra, Claudio Abbado | F Major | 1 | 7B | 174 BPM | ||
L'ultima canzone | Francesco Paolo Tosti, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba | D Major | 2 | 10B | 72 BPM | ||
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM |
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