"Als die alte Mutter" by Victoria de los Ángeles was released on December 30, 2009. The duration of Als die alte Mutter is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Als die alte Mutter's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 20 in Canciones para Recordar by Victoria de los Ángeles. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Als die alte Mutter is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Als die alte Mutter by Victoria de los Ángeles is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cinco Canciones negras (2004 Digital Remaster): Chévere (Guillén) | Xavier Montsalvatge, Victoria de los Ángeles, Rafael Frhbeck de Burgos, Rafael Frühbeck de Burgos, Orchestre De La Socit Des Concerts Du Conservatoire, Orchestre De La Société Des Concerts Du Conservatoire | F Major | 3 | 7B | 59 BPM | ||
Zueignung, op. 10 n° 1 | Compositeurs Divers, Victoria de los Ángeles | C Major | 1 | 8B | 79 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Major | 3 | 8B | 93 BPM | ||
Pelléas et Mélisande, Op. 80: 4. Sicilienne | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Ellens Gesang III, Op. 52, No. 6, D. 839 "Ave Maria" | Franz Schubert, Hera Hyesang Park, Sarah Tysman | B♭ Major | 1 | 6B | 81 BPM | ||
L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | ||
Che farò senza Euridice? | Christoph Willibald Gluck, Vesselina Kasarova, Friedrich Haider | B♭ Major | 2 | 6B | 95 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | C Major | 2 | 8B | 90 BPM | ||
Fauré: Cantique de Jean Racine, Op. 11 (Orchestral Version) | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | D♭ Major | 1 | 3B | 79 BPM | ||
Dreigroschenoper: Zuhälterballade - Arr. für Saxophon, Streichquartett und Klavier | Kurt Weill, Asya Fateyeva, Florian Donderer, Emma Yoon, Yuko Hara, Tanja Tetzlaff, Stepan Simonian | C Major | 1 | 8B | 77 BPM |
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