Kurt Weill, Asya Fateyeva, Florian Donderer, Emma Yoon, Yuko Hara, Tanja Tetzlaff, Stepan Simonian's 'Dreigroschenoper: Zuhälterballade - Arr. für Saxophon, Streichquartett und Klavier' came out on February 28, 2020. The duration of Dreigroschenoper: Zuhälterballade - Arr. für Saxophon, Streichquartett und Klavier is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Dreigroschenoper: Zuhälterballade - Arr. für Saxophon, Streichquartett und Klavier's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Asya Fateyeva's "Jonny" album is number 18 out of 19. On top of that, Germany appears to be the country where this track was created. Dreigroschenoper: Zuhälterballade - Arr. für Saxophon, Streichquartett und Klavier is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Dreigroschenoper: Zuhälterballade - Arr. für Saxophon, Streichquartett und Klavier by Kurt Weill, Asya Fateyeva, Florian Donderer, Emma Yoon, Yuko Hara, Tanja Tetzlaff, Stepan Simonian to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
How Sweet The Moonlight [The Merchant of Venice] | Jocelyn Pook, Andreas Scholl, Baroque String Quartet, Siobhán Armstrong, Harvey Brough, Elizabeth Kenny | E♭ Major | 1 | 5B | 135 BPM | ||
Herz und Mund und Tat und Leben, BWV 147: VI. Wohl mir, dass ich Jesum habe - Arr. for French Horn | Johann Sebastian Bach, Felix Klieser, CHAARTS Chamber Artists | F Major | 1 | 7B | 82 BPM | ||
Alto Saxophone Sonata in C-Sharp Major (Version for Saxophone & Piano): V. Rondo: tres modere | Fernande Decruck, Asya Fateyeva, Valeria Myrosh | D♭ Minor | 2 | 12A | 125 BPM | ||
Desplat: Girl with a Pearl Earring | Alexandre Desplat, Emmanuel Pahud, Orchestre National De France | D Minor | 2 | 7A | 81 BPM | ||
Mahagonny. Ein Songspiel - Alabama-Song: Mahagonny. Ein Songspiel - Alabama-Song | Kurt Weill, Ensemble Modern, HK Gruber, Ute Gfrerer, Winnie Böwe | G Major | 2 | 9B | 119 BPM | ||
Royer: Premier livre de pièces de clavecin: VI. L'Aimable | Joseph-Nicolas-Pancrace Royer, Alexandre Tharaud | G Minor | 2 | 6A | 121 BPM | ||
Rusalka, Op. 114, B. 203, Act I: Lieblicher Mond (Song to the Moon) | Antonín Dvořák, Emalie Savoy, Brandenburg State Orchestra Frankfurt, Matthias Foremny | F♯ Major | 1 | 2B | 63 BPM | ||
4 Short Pieces, H. 104: No. 2, Spring Song (Arr. Parkin for Cello and String Quartet) | Frank Bridge, Sheku Kanneh-Mason, The Heath Quartet | G Major | 0 | 9B | 52 BPM | ||
Dance of the Dolls: Lyric Waltz (Orch. by Tamas Batiashvili) | Dmitri Shostakovich, Lisa Batiashvili, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | B♭ Major | 0 | 6B | 168 BPM | ||
Menuet in G Minor (trans. W. Kempff) | Wilhelm Kempff, George Frideric Handel, Idil Biret | G Minor | 0 | 6A | 73 BPM |
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