Vincenzo Bellini, Juan Diego Flórez, Nicola Ulivieri, Nikola Mijailovic, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza's 'I Capuleti e i Montecchi / Act 1: "O, di Capellio generosi amici...L'amo tanto, e m'è sì cara"' came out on January 1, 2003. Since I Capuleti e i Montecchi / Act 1: "O, di Capellio generosi amici...L'amo tanto, e m'è sì cara" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Juan Diego Flórez, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza's "Juan Diego Flórez - Una Furtiva Lagrima: Donizetti & Bellini Arias" album is number 3 out of 9. Based on our statistics, I Capuleti e i Montecchi / Act 1: "O, di Capellio generosi amici...L'amo tanto, e m'è sì cara"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of I Capuleti e i Montecchi / Act 1: "O, di Capellio generosi amici...L'amo tanto, e m'è sì cara" by Vincenzo Bellini, Juan Diego Flórez, Nicola Ulivieri, Nikola Mijailovic, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le nozze di Figaro, K.492 / Act 4: "Deh vieni, non tardar" | Wolfgang Amadeus Mozart, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | F Major | 0 | 7B | 97 BPM | ||
Beatrice di Tenda: Act II Scene 7: Qui m'accolse oppresso (Filippo) | Vincenzo Bellini, Fabio Luisi, Paolo Gavanelli, German Opera House Berlin Orchestra | A♭ Major | 1 | 4B | 101 BPM | ||
Aida / Act 1: "Se quel guerrier io fossi!..Celeste Aida" | Giuseppe Verdi, Luciano Pavarotti, Orchestra Del Teatro Alla Scala, Milano, Lorin Maazel | B♭ Major | 3 | 6B | 83 BPM | ||
Adriana Lecouvreur (1986 Digital Remaster): Ecco: respiro appena...Io son l'umile ancella | Maria Callas, Tullio Serafin | A♭ Major | 1 | 4B | 92 BPM | ||
Verdi: Messa da Requiem: I. Introit - Kyrie | Giuseppe Verdi, Riccardo Muti, Cheryl Studer, Coro Del Teatro Alla Scala Di Milano, Dolora Zajic, Luciano Pavarotti, Samuel Ramey, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 114 BPM | ||
Rossini: Il turco in Italia, Act 1: "Voga, voga, a terra, a terra" (Fiorilla, Coro) | Gioachino Rossini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Gianandrea Gavazzeni, Orchestra Del Teatro Alla Scala, Milano | E Minor | 1 | 9A | 102 BPM | ||
Rigoletto / Act 1: Scena ed Aria. "Gualtier Maldè" - "Caro nome" | Giuseppe Verdi, Joan Sutherland, Riccardo Cassinelli, John Gibbs, Christian Du Plessis, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge | E Major | 1 | 12B | 168 BPM | ||
Beatrice di Tenda: Act II Scene 3: Giudici, al mio cospetto (Filippo, Choir) | Vincenzo Bellini, Camille Capasso, Lucia Aliberti, Martin Thompson, Fabio Luisi, Paolo Gavanelli, Chorus of the German Opera House Berlin, John David Dehaan, Raemond Martin, German Opera House Berlin Orchestra | A♭ Major | 1 | 4B | 78 BPM | ||
Adriana Lecouvreur: Poveri fiori (Act IV) | Francesco Cilea, Kiri Te Kanawa, Myung-Whun Chung, London Symphony Orchestra | D Minor | 0 | 7A | 87 BPM | ||
Beatrice di Tenda: Act I Scenes 5-6: Come, ah come ogni cosa (Choir) | Vincenzo Bellini, Fabio Luisi, Chorus of the German Opera House Berlin, German Opera House Berlin Orchestra | A♭ Major | 1 | 4B | 101 BPM |
Section: 0.6414749622344971
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