"Verdi: Messa da Requiem: I. Introit - Kyrie" by Giuseppe Verdi, Riccardo Muti, Cheryl Studer, Coro Del Teatro Alla Scala Di Milano, Dolora Zajic, Luciano Pavarotti, Samuel Ramey, Orchestra Del Teatro Alla Scala, Milano was released on January 1, 1987. Since Verdi: Messa da Requiem: I. Introit - Kyrie is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Verdi: Messa da Requiem by Giuseppe Verdi, Riccardo Muti, Orchestra Del Teatro Alla Scala, Milano. The song's track number on the album is #1 out of 19 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Verdi: Messa da Requiem: I. Introit - Kyrie is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Verdi: Messa da Requiem: I. Introit - Kyrie by Giuseppe Verdi, Riccardo Muti, Cheryl Studer, Coro Del Teatro Alla Scala Di Milano, Dolora Zajic, Luciano Pavarotti, Samuel Ramey, Orchestra Del Teatro Alla Scala, Milano has a tempo of 114 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Verdi: Messa da Requiem: I. Introit - Kyrie being at 114 BPM, the half-time would be 57 BPM with a double-time of 228 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Pasquale, Act II Quinta Scena: Ah! E rimasto là impietrato (Malatesta/Pasquale/Norina/Ernesto) | Gaetano Donizetti, Leo Nucci/Sesto Bruscantini/Mirella Freni/Gösta Winbergh/Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra | E Major | 2 | 12B | 75 BPM | ||
Norma (1997 Digital Remaster): Casta Diva | Maria Callas, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 1 | 7B | 169 BPM | ||
The Merry Widow (Die lustige Witwe) - Sung In Italian - Act 2: Vilja-Lied | Franz Lehár, Renata Tebaldi, With Orchestral Accompaniment | G Major | 1 | 9B | 88 BPM | ||
La Traviata: Act I: Libiamo ne' lieti calici | Giuseppe Verdi, Montserrat Caballé, Carlo Bergonzi, Georges Prêtre, RCA Italiana Opera Orchestra | C Major | 4 | 8B | 70 BPM | ||
Handel: Messiah, HWV 56, Part 3: I know that my Redeemer liveth (Soprano) | George Frideric Handel, Elizabeth Harwood, Dame Janet Baker, Paul Esswood, Robert Tear, Raimund Herincx, Ambrosian Singers, Sir Charles Mackerras, English Chamber Orchestra | A Minor | 4 | 8A | 0 BPM | ||
Fontane di Roma: IV. La fontana di Villa Medici al tramonto | Ottorino Respighi, Riccardo Muti, Philadelphia Orchestra | A Major | 0 | 11B | 86 BPM | ||
I Puritani / Act 1: A te, o cara | Vincenzo Bellini, Luciano Pavarotti, Nicolai Ghiaurov, Gian Carlo Luccardi, Dame Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Richard Bonynge | D Major | 2 | 10B | 86 BPM | ||
Si, Mi Chiamano Mimì - la Boheme Atto I | Renata Tebaldi | D Major | 2 | 10B | 80 BPM | ||
Giordano: Fedora, Act 2: "Amor ti vieta di non amar" (Loris) | Umberto Giordano, Plácido Domingo, Nello Santi, Orchestra of the Deutsche Oper Berlin | F Major | 1 | 7B | 115 BPM | ||
Poliuto (1997 Digital Remaster), ATTO PRIMO, Scena seconda: Di tua beltade immagine (Severo) | Gaetano Donizetti, Salvatore Cammarano, Ettore Bastianini, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | G Major | 0 | 9B | 130 BPM |
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