"The Merry Widow (Die lustige Witwe) - Sung In Italian - Act 2: Vilja-Lied" by Franz Lehár, Renata Tebaldi, With Orchestral Accompaniment was released on January 1, 1960. With this song being about 5 minutes long, at 5:03, "The Merry Widow (Die lustige Witwe) - Sung In Italian - Act 2: Vilja-Lied" by Franz Lehár, Renata Tebaldi, With Orchestral Accompaniment is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 34 in the song's album "Strauss, J: Die Fledermaus". In this album, this song's track order is #2. The Merry Widow (Die lustige Witwe) - Sung In Italian - Act 2: Vilja-Lied is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Merry Widow (Die lustige Witwe) - Sung In Italian - Act 2: Vilja-Lied by Franz Lehár, Renata Tebaldi, With Orchestral Accompaniment having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Radetzky-Marsch, Op. 228 | Johann Strauss I, Mariss Jansons, Wiener Philharmoniker | A Major | 5 | 11B | 101 BPM | ||
Wiener Frauen (Excerpts): Nechledil Marsch | Franz Lehár, Max Schönherr, Grosses Wiener Rundfunkorchester | F Major | 5 | 7B | 115 BPM | ||
Lakmé / Act 2: "Où va la jeune Indoue" (Bell song) | Léo Delibes, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D Minor | 1 | 7A | 168 BPM | ||
Andrea Chénier / Act 4: "Come un bel dì di maggio" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | F♯ Major | 2 | 2B | 85 BPM | ||
Tosca / Act III: "E lucevan le stelle" | Giacomo Puccini, José Carreras, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 74 BPM | ||
Sylvia: Pizzicati | Léo Delibes, Daniel Barenboim, Wiener Philharmoniker | E♭ Major | 0 | 5B | 120 BPM | ||
Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre dans ce rève" | Charles Gounod, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | C Major | 3 | 8B | 77 BPM | ||
Barcarolle: Schöne Nacht, du Liebesnacht - Hoffmanns Erzählungen | Jacques Offenbach, Jesús López-Cobos, Hei-Kyung Hong, Jennifer Larmore, Munich Radio Orchestra | D Major | 2 | 10B | 81 BPM | ||
Symphony No. 2 in C Minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht | Gustav Mahler, Lorin Maazel, Wiener Philharmoniker | B♭ Major | 2 | 6B | 130 BPM | ||
Tosca | Renata Tebaldi, Chorus and Orchestra of the Accademia di Santa Cecilia, Rome, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM |
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