Giuseppe Verdi, Luciano Pavarotti, Orchestra Del Teatro Alla Scala, Milano, Lorin Maazel's 'Aida / Act 1: "Se quel guerrier io fossi!..Celeste Aida"' came out on January 1, 1969. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Verdi: Aida by Giuseppe Verdi, Maria Chiara, Ghena Dimitrova, Luciano Pavarotti, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Lorin Maazel. The song's track number on the album is #3 out of 33 tracks. Aida / Act 1: "Se quel guerrier io fossi!..Celeste Aida" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Aida / Act 1: "Se quel guerrier io fossi!..Celeste Aida" by Giuseppe Verdi, Luciano Pavarotti, Orchestra Del Teatro Alla Scala, Milano, Lorin Maazel has a tempo of 83 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Aida / Act 1: "Se quel guerrier io fossi!..Celeste Aida" being at 83 BPM, the half-time would be 42 BPM with a double-time of 166 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Don Giovanni: La ci darem la mano | Nicolai Ghiaurov, Mirella Freni | B♭ Major | 2 | 6B | 91 BPM | ||
Poliuto (1997 Digital Remaster), ATTO SECONDO, Scena seconda: Alla morte lo serbate | Gaetano Donizetti, Salvatore Cammarano, Ettore Bastianini, Maria Callas, Franco Corelli, Piero de Palma, Rinaldo Pelizzoni, Nicola Zaccaria, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan, Orchestra Del Teatro Alla Scala, Milano | E Major | 5 | 12B | 105 BPM | ||
Giordano : Andrea Chénier : Act 4 "Come un bel dì di maggio" [Andrea Chénier] | Umberto Giordano, José Cura, Philharmonia Orchestra | D♭ Minor | 2 | 12A | 84 BPM | ||
Pecchè? | Gaetano Pennino, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Anton Guadagno | G Major | 2 | 9B | 176 BPM | ||
Verdi: La Traviata, Act 2: "Che fai? ... Ai piedi suoi mi getterò" (Alfredo, Violetta) | Giuseppe Verdi, Aldo Ceccato, Beverly Sills, Nicolai Gedda, Royal Philharmonic Orchestra | F Major | 2 | 7B | 93 BPM | ||
Rigoletto: Bella figlia dell'amore (Duca, Maddalena, Gilda, Rigoletto) | Giuseppe Verdi, Carlo Bergonzi, Fiorenza Cossotto, Renata Scotto, Dietrich Fischer-Dieskau, Orchestra Del Teatro Alla Scala, Milano, Rafael Kubelik | D♭ Major | 2 | 3B | 84 BPM | ||
Orphée et Eurydice: J'ai perdu mon Eurydice | Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise | C Major | 2 | 8B | 71 BPM | ||
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | ||
Madama Butterfly / Act 1: Vogliatemi bene | Giacomo Puccini, Mirella Freni, Luciano Pavarotti, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 2 | 6B | 92 BPM | ||
Massenet: Werther, Act 3: "Pourquoi me réveiller" (Werther) | Jules Massenet, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic | F♯ Minor | 3 | 11A | 83 BPM |
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