"Tristan & Isolde: Das Wiedersehen" by Richard Wagner, Edo de Waart was released on July 4, 1994. With this song being about 5 minutes long, at 5:20, "Tristan & Isolde: Das Wiedersehen" by Richard Wagner, Edo de Waart is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 7 in the song's album "Tristan and Isolde". In this album, this song's track order is #6. Tristan & Isolde: Das Wiedersehen is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tristan & Isolde: Das Wiedersehen by Richard Wagner, Edo de Waart having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Harmonium (for large orchestra and chorus): Part 1 - Negative Love | John Adams, Edo de Waart, San Francisco Symphony, Vance George, San Francisco Symphony Chorus | E Minor | 1 | 9A | 125 BPM | ||
Ives / Orch. Brant: A Concord Symphony: III. The Alcotts | Charles Ives, Henry Brant, San Francisco Symphony, Michael Tilson Thomas | E♭ Major | 1 | 5B | 91 BPM | ||
Fantasia on Serbian Themes, Op. 6 | Nikolai Rimsky-Korsakov, Moscow Symphony Orchestra, Igor Golovschin | D Major | 0 | 10B | 69 BPM | ||
Scheherazade, Op. 35: I. Largo e maestoso - Allegro non troppo "The Sea and Sinbad's Ship" | Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock | E Major | 1 | 12B | 79 BPM | ||
Japanese Suite, Op. 33: VI. Finale: Dance of the Wolves | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 4 | 5A | 101 BPM | ||
Violin Concerto: III. Romance Without Words | Ned Rorem, Philippe Quint, Royal Liverpool Philharmonic Orchestra, José Serebrier | F♯ Major | 1 | 2B | 66 BPM | ||
Sinfonia For Strings And Continuo In B Minor, RV 169 - "Al Santo Sepolcro": 1. Adagio molto | Antonio Vivaldi, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 89 BPM | ||
Schnittke: Piano Quintet: II. In tempo di valse | Alfred Schnittke, Borodin Quartet, Ludmila Berlinskaya | B♭ Major | 0 | 6B | 80 BPM | ||
String Quartet No. 3, "Mishima": II. November 25: Ichigaya | Philip Glass, Carducci String Quartet | D Minor | 0 | 7A | 62 BPM | ||
String Quartet No. 12 in F Major, Op. 96 'The American': II. Lento | Antonín Dvořák, Škampa Quartet | D Minor | 0 | 7A | 87 BPM |
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