"Schnittke: Piano Quintet: II. In tempo di valse" by Alfred Schnittke, Borodin Quartet, Ludmila Berlinskaya was released on January 1, 1991. With this song being about 5 minutes long, at 5:19, "Schnittke: Piano Quintet: II. In tempo di valse" by Alfred Schnittke, Borodin Quartet, Ludmila Berlinskaya is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "Schnittke: String Quartet No. 3, Piano Quartet & Piano Quintet - Mahler: Piano Quartet". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. Schnittke: Piano Quintet: II. In tempo di valse is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schnittke: Piano Quintet: II. In tempo di valse by Alfred Schnittke, Borodin Quartet, Ludmila Berlinskaya having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trio élégiaque No. 1 in G Minor | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov, Giedre Dirvanauskaite | C Minor | 1 | 5A | 57 BPM | ||
Violin Concerto: III. Romance Without Words | Ned Rorem, Philippe Quint, Royal Liverpool Philharmonic Orchestra, José Serebrier | F♯ Major | 1 | 2B | 66 BPM | ||
Iron Foundry (machine music), Op. 19 | Alexander Mosolov, Concertgebouworkest, Riccardo Chailly | F Minor | 7 | 4A | 117 BPM | ||
String Quartet No.12 in F major, Op.96 - "American" B.179: 1. Allegro ma non troppo | Antonín Dvořák, Hagen Quartett | F Major | 1 | 7B | 113 BPM | ||
Après un Rêve Op.7, No.1 | Gabriel Fauré, Jules Eskin, Boston Symphony Orchestra, Seiji Ozawa | F Minor | 1 | 4A | 96 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Minor | 1 | 9A | 125 BPM | ||
Piano Quintet in E-Flat Major, Op. 44: II. In modo d'una marcia, Un poco largamente | Robert Schumann, Alexander Melnikov, Jerusalem Quartet | A Major | 0 | 11B | 88 BPM | ||
String Quartet in F Major: I. Allegro moderato, tres doux | Maurice Ravel, Cavani Quartet | F Major | 1 | 7B | 130 BPM | ||
Symphony No. 3: Andante con noto | Krzysztof Penderecki, Polish National Radio Symphony Orchestra, Antoni Wit | C Major | 0 | 8B | 110 BPM | ||
Polish Requiem: Ciaconne (Chaconne): A Polish Requiem: Ciaconne (Chaconne) | Krzysztof Penderecki, Sinfonia Varsovia | G Minor | 1 | 6A | 103 BPM |
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