"Fantasia on Serbian Themes, Op. 6" by Nikolai Rimsky-Korsakov, Moscow Symphony Orchestra, Igor Golovschin was released on December 14, 2000. Since Fantasia on Serbian Themes, Op. 6 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 11 in the song's album "Rimsky-Korsakov: Maid of Pskov (The) / Fairy Tale". In this album, this song's track order is #11. Fantasia on Serbian Themes, Op. 6 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fantasia on Serbian Themes, Op. 6 by Nikolai Rimsky-Korsakov, Moscow Symphony Orchestra, Igor Golovschin having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Eine Alpensinfonie: VIII. Stille vor den Sturm - Gewitter und Sturm, Abstieg - Sonnenuntergang | Richard Strauss, Bernard Haitink, London Symphony Orchestra | F♯ Major | 2 | 2B | 73 BPM | ||
Pictures At An Exhibition: Cum mortuis in lingua mortua | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | B Major | 0 | 1B | 102 BPM | ||
Concerto for Orchestra, Sz. 116: 1. Introduzione (Andante non troppo - Allegro vivace | Béla Bartók, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 90 BPM | ||
Images For Orchestra, L. 122 / 2. Ibéria: 1. Par les rues et par les chemins | Claude Debussy, London Symphony Orchestra, Pierre Monteux | F Minor | 1 | 4A | 79 BPM | ||
Holberg Suite, opus 40:Air (Andante religioso) | Academy of St. Martin in the Fields | G Minor | 1 | 6A | 67 BPM | ||
Noviy Vavilon (New Babylon), Op. 18 (original manuscript version): Reel 1, General Sale: War - Death to the Prussians | Dmitri Shostakovich, Basel Sinfonietta, Mark Fitz-Gerald | D Minor | 1 | 7A | 159 BPM | ||
Souvenir de Florence, Op. 70 TH 118: III. Allegretto moderato | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | F Major | 1 | 7B | 111 BPM | ||
Symphony No. 3 - 'Pastoral Symphony': I. Molto moderato | Ralph Vaughan Williams, Hallé, Sir Mark Elder | A Minor | 0 | 8A | 81 BPM | ||
On the Dnieper Suite, Op. 51bis: III. The Betrothal | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | D Major | 1 | 10B | 128 BPM | ||
The Red Poppy: III. Scene and Dance with Goldfingers | Reinhold Glière, Bolshoi Theatre Orchestra, Moscow Symphony Orchestra, Yuri Fayer | E Major | 2 | 12B | 99 BPM |
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