"Souvenir de Florence, Op. 70 TH 118: III. Allegretto moderato" by Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont was released on 1990. Souvenir de Florence, Op. 70 TH 118: III. Allegretto moderato is about six minutes long, preciously at 6:27, making this song fairly long compared to other songs. There are a total of 6 in the song's album "Tchaikovsky: 1812 Overture, Op. 49, TH 49". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. In terms of popularity, Souvenir de Florence, Op. 70 TH 118: III. Allegretto moderato is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Souvenir de Florence, Op. 70 TH 118: III. Allegretto moderato by Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A. Vivaldi Concerto in A Minor II. Adagio BWV 593 | Ales Barta | A Minor | 2 | 8A | 117 BPM | ||
Souvenir de Florence, Op. 70 TH 118: III. Allegretto moderato | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | F Major | 1 | 7B | 111 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: III. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | F Major | 3 | 7B | 164 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
Sylvia: Prelude: The Huntresses | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | E♭ Major | 2 | 5B | 80 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 1 | 5A | 84 BPM | ||
Violin Concerto No. 5 in A Major, K. 219 "Turkish": III. Rondeau. Tempo di Menuetto | Wolfgang Amadeus Mozart, Arabella Steinbacher, Daniel Dodds, Lucerne Festival Strings, Festival Strings Lucerne (musical direction) | A Major | 1 | 11B | 118 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act 4: Entr'acte | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | D♭ Major | 0 | 3B | 81 BPM | ||
Octet In E Flat, Op.20, MWV R20: 2. Andante | Felix Mendelssohn, Academy of St. Martin in the Fields, Iona Brown, Malcolm Latchem, Roger Garland, Andrew McGee, Stephen Shingles, Anthony Jenkins, Denis Vigay, Roger Smith | A♭ Major | 0 | 4B | 80 BPM |
Section: 0.6608624458312988
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