Claude Debussy, London Symphony Orchestra, Pierre Monteux's 'Images For Orchestra, L. 122 / 2. Ibéria: 1. Par les rues et par les chemins' came out on January 1, 2006. Since Images For Orchestra, L. 122 / 2. Ibéria: 1. Par les rues et par les chemins is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 8 in Debussy: Prélude à l'après-midi d'un faune; Nocturnes; Images by Claude Debussy, Pierre Monteux. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Images For Orchestra, L. 122 / 2. Ibéria: 1. Par les rues et par les chemins is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Images For Orchestra, L. 122 / 2. Ibéria: 1. Par les rues et par les chemins by Claude Debussy, London Symphony Orchestra, Pierre Monteux is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Eine Alpensinfonie: I. Nacht - Sonnenaufgang | Richard Strauss, Bernard Haitink, London Symphony Orchestra | B♭ Minor | 0 | 3A | 88 BPM | ||
Prokofiev: Violin Concerto No. 2 in G Minor, Op. 63: I. Allegro moderato | Sergei Prokofiev, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | G Major | 2 | 9B | 76 BPM | ||
Adagio for Strings | Samuel Barber, HAUSER, Robert Ziegler, London Symphony Orchestra | B♭ Minor | 2 | 3A | 79 BPM | ||
Mazurka in A Minor, Op. 17 No. 4 | Frédéric Chopin, Khatia Buniatishvili | A Minor | 0 | 8A | 173 BPM | ||
6 Bagatelles, Op. 97: No. 3: Kleiner Walzer | Jean Sibelius, Håvard Gimse | E Major | 1 | 12B | 83 BPM | ||
Symphony in D, H.I No.101 - "The Clock": 1. Adagio - Presto | Franz Joseph Haydn, Wiener Philharmoniker, Pierre Monteux | D Major | 2 | 10B | 127 BPM | ||
Air on a G String | Johann Sebastian Bach, HAUSER, Robert Ziegler, London Symphony Orchestra | D Major | 3 | 10B | 74 BPM | ||
2 Pieces for the Left Hand, Op. 9: Prelude for the Left Hand in C-Sharp Minor, Op. 9, No. 1 | Alexander Scriabin, Evgeny Zarafiants | D Major | 0 | 10B | 69 BPM | ||
Fanfare for the Common Man | Aaron Copland, London Symphony Orchestra | B♭ Major | 2 | 6B | 55 BPM | ||
Symphony in G, H.I No.94 - "Surprise": 3. Menuet (Allegro molto) | Franz Joseph Haydn, Wiener Philharmoniker, Pierre Monteux | G Major | 1 | 9B | 75 BPM |
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