"Adagio for Strings" by Samuel Barber, HAUSER, Robert Ziegler, London Symphony Orchestra was released on February 7, 2020. Since Adagio for Strings is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 16 out of 16 in Classic by HAUSER. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Adagio for Strings is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Adagio for Strings by Samuel Barber, HAUSER, Robert Ziegler, London Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade | HAUSER | E♭ Major | 3 | 5B | 77 BPM | ||
Saddest Part Of Day | Craig Armstrong | C Major | 1 | 8B | 110 BPM | ||
Menuet in G Minor (trans. W. Kempff) | Wilhelm Kempff, George Frideric Handel, Idil Biret | G Minor | 0 | 6A | 73 BPM | ||
Franz Schubert: Schwanengesang, D. 957: IV. Ständchen (Serenade) [Arr. for Piano Solo by Franz Liszt] | Vadim Chaimovich | D Major | 0 | 10B | 69 BPM | ||
Symphonie Rêvée | Saint-Preux | C Minor | 4 | 5A | 80 BPM | ||
Barber: Adagio for Strings, Op. 11a (After "Molto adagio" from String Quartet, Op. 11) | Samuel Barber, London Symphony Orchestra, Michael Tilson Thomas | D Minor | 0 | 7A | 75 BPM | ||
Concerto Grosso in G Minor, Op. 6, No. 8, "Christmas Concerto" - Arr. Iva Davies, Christopher Gordon & Richard Tognetti: Adagio | Christopher Gordon | E♭ Major | 1 | 5B | 129 BPM | ||
Für Elise - Reimagined | Alexander Joseph | B♭ Minor | 2 | 3A | 166 BPM | ||
Sarakiz: II. Romanza | Karl Jenkins, Marat Bisengaliev, London Symphony Orchestra | D Minor | 2 | 7A | 97 BPM | ||
Kalida | Andrea Guerra | G Major | 1 | 9B | 103 BPM |
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