"Violin Concerto: III. Romance Without Words" by Ned Rorem, Philippe Quint, Royal Liverpool Philharmonic Orchestra, José Serebrier was released on May 16, 2006. The duration of Violin Concerto: III. Romance Without Words is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Violin Concerto: III. Romance Without Words's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Rorem: Violin Concerto - Flute Concerto - Pilgrims". In this album, this song's track order is #10. Violin Concerto: III. Romance Without Words is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Violin Concerto: III. Romance Without Words by Ned Rorem, Philippe Quint, Royal Liverpool Philharmonic Orchestra, José Serebrier having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Paradis / Arr. Dushkin for Violin and Piano: Sicilienne in E-Flat Major | Maria Theresia von Paradis, Ginette Neveu, Bruno Seidler - Winkler | E♭ Major | 2 | 5B | 106 BPM | ||
The English Patient: Main Title Theme | Gabriel Yared, Royal Liverpool Philharmonic Orchestra, Carl Davis | D Major | 0 | 10B | 75 BPM | ||
Variations on a Polish Theme, Op. 10: No. 5 Andantino | Karol Szymanowski, Martin Roscoe | B Minor | 0 | 10A | 70 BPM | ||
Fix You | Royal Liverpool Philharmonic Orchestra, James Morgan | E♭ Major | 1 | 5B | 142 BPM | ||
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 16c, Pas de deux de Fanny Elssler. Adage | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | E♭ Major | 0 | 5B | 142 BPM | ||
Concerto Magna Carta: III. Intense and energetic | John Brunning, Xuefei Yang, Royal Liverpool Philharmonic Orchestra, Clark Rundell | E Minor | 1 | 9A | 126 BPM | ||
Old King Cole, A Ballet for Orchestra: II. Royal Fanfare, King Enters | Ralph Vaughan Williams, Royal Liverpool Philharmonic Orchestra, Andrew Manze | G Major | 3 | 9B | 78 BPM | ||
Violin Sonata No. 3 in D Minor, Op. 108: Adagio | Johannes Brahms, Ilya Kaler, Alexander Peskanov | D Major | 1 | 10B | 72 BPM | ||
Elgar: Romance for Bassoon in D Minor, Op. 62 (Arr. for Cello and Orchestra) | Edward Elgar, Natalie Clein, Vernon Handley, Royal Liverpool Philharmonic Orchestra | E Minor | 0 | 9A | 71 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Natalie Clein, Vernon Handley, Royal Liverpool Philharmonic Orchestra | A Major | 1 | 11B | 90 BPM |
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