"Tannhäuser, WWV 70 - Paris version / Act 1: "Als du in kühnem Sange uns bestrittest"" by Richard Wagner, Victor Braun, Werner Hollweg, René Kollo, Kurt Equiluz, Manfred Jungwirth, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti was released on January 1, 1971. Tannhäuser, WWV 70 - Paris version / Act 1: "Als du in kühnem Sange uns bestrittest" is about six minutes long, preciously at 6:27, making this song fairly long compared to other songs. This song is part of Wagner: Tannhäuser by Richard Wagner, Helga Dernesch, René Kollo, Sir Georg Solti, Wiener Philharmoniker. The song's track number on the album is #10 out of 34 tracks. In terms of popularity, Tannhäuser, WWV 70 - Paris version / Act 1: "Als du in kühnem Sange uns bestrittest" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Tannhäuser, WWV 70 - Paris version / Act 1: "Als du in kühnem Sange uns bestrittest" by Richard Wagner, Victor Braun, Werner Hollweg, René Kollo, Kurt Equiluz, Manfred Jungwirth, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti has a tempo of 117 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Tannhäuser, WWV 70 - Paris version / Act 1: "Als du in kühnem Sange uns bestrittest" being at 117 BPM, the half-time would be 58 BPM with a double-time of 234 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 5/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 41 in C Major, K. 551 "Jupiter": 4. Molto allegro | Wolfgang Amadeus Mozart, Wiener Philharmoniker, Karl Böhm | G Major | 2 | 9B | 141 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance | Richard Strauss, Fritz Reiner | F Major | 0 | 7B | 63 BPM | ||
La gazza ladra: Overture | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 171 BPM | ||
Les Contes d'Hoffmann / Act 1: Entr'acte | Jacques Offenbach, Orchestre de la Suisse Romande, Richard Bonynge | E Major | 2 | 12B | 100 BPM | ||
Donna Diana: Overture | Emil Nikolaus von Reznicek, Leonard Bernstein, New York Philharmonic | A Major | 5 | 11B | 102 BPM | ||
Das Liebesverbot, WWV 38, Act I: Act I: Duet: Es ist ein Mann (Isabella, Luzio) | Richard Wagner, Robert Schunk, Friedrich Lenz, Kieth Engen, Sabine Hass, Pamela Coburn, Alfred Kuhn, Raimund Grumbach, Marianne Seibel, Hermann Sapell, Chor der Bayerischen Staatsoper, Bavarian State Orchestra, Hermann Prey, Wolfgang Fassler, Wolfgang Sawallisch | B Major | 1 | 1B | 139 BPM | ||
Symphony No. 2 in C Minor, Op. 17 "Little Russian": IV. Finale. Moderato assai - Allegro vivo | Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic | C Major | 4 | 8B | 87 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: Introduction | Pyotr Ilyich Tchaikovsky, Staatskapelle Dresden, James Levine | G Minor | 1 | 6A | 107 BPM |
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