Emil Nikolaus von Reznicek, Leonard Bernstein, New York Philharmonic made "Donna Diana: Overture" available on November 16, 2018. Donna Diana: Overture is about six minutes long, preciously at 5:49, making this song fairly long compared to other songs. There are a total of 9 in the song's album "Overtures: Mozart - Nicolai - Strauss, Jr. - von Weber - Thomas". In this album, this song's track order is #3. In terms of popularity, Donna Diana: Overture is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Donna Diana: Overture by Emil Nikolaus von Reznicek, Leonard Bernstein, New York Philharmonic having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Quiet Place, Act II: June Twelfth - Live | Leonard Bernstein, Beverly Morgan, Peter Kazaras, Chester Ludgin, John Brandstetter, Vienna Radio Symphony Orchestra | G Major | 1 | 9B | 136 BPM | ||
Verdi: La forza del destino: Overture to Act 1 | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Riccardo Muti | F Minor | 1 | 4A | 88 BPM | ||
The Firebird Suite (1919 Version): I. Introduction | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | C Minor | 0 | 5A | 87 BPM | ||
Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Leonard Bernstein, New York Philharmonic | B♭ Major | 3 | 6B | 96 BPM | ||
Symphony No.102 in B-Flat Major, Hob. I:102: II. Adagio | Joseph Haydn, Leonard Bernstein, New York Philharmonic | B♭ Major | 2 | 6B | 89 BPM | ||
The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, Leonard Bernstein, New York Philharmonic | G Minor | 2 | 6A | 139 BPM | ||
Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 117 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: III. Scherzino (Allegro – Andantino - Allegro) | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | F Minor | 0 | 4A | 104 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 3. R.B.T. (Allegretto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 0 | 9B | 86 BPM |
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