The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity - Gustav Holst, Leonard Bernstein, New York Philharmonic Information

Acousticness: 81%
Danceability: 29%
Energy: 18%
Instrumentalness: 82%
Liveness: 17%
Loudness: 68%
Speechiness: 4%
Valence: 21%
Popularity: 8%
Loudness: -19.019 dB

Summary

Gustav Holst, Leonard Bernstein, New York Philharmonic's 'The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity' came out on 1969. Since The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Gustav Holst, Leonard Bernstein's "Holst: The Planets, Op. 32 - Elgar: March No. 1 from Pomp and Circumstance, Op. 39" album is number 4 out of 8. Based on our statistics, The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity BPM

We consider the tempo marking of The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity by Gustav Holst, Leonard Bernstein, New York Philharmonic to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity Key

This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Symphony No. 86 in D Major, Hob. I:86: I. Adagio - Allegro spiritoso	Joseph Haydn, Leonard Bernstein, New York Philharmonic	D Major	2	10B	79 BPM
Beethoven: Egmont, Op. 84: Overture	Ludwig van Beethoven, Kurt Masur, New York Philharmonic	A♭ Major	3	4B	106 BPM
"West Side Story" - Symphonic Dances: II. Somewhere - Live	Leonard Bernstein, Los Angeles Philharmonic	E Major	0	12B	69 BPM
Eugene Onegin, Op. 24, TH 5 / Act 3: Polonaise	Pyotr Ilyich Tchaikovsky, Staatskapelle Dresden, James Levine	G Major	3	9B	203 BPM
Mass: Devotions before Mass: Antiphon: Kyrie eleison (High Soprano, Bass, Soprano 2, Alto, Tenor, Baritone)	Leonard Bernstein, Jubilant Sykes, Asher Edward Wulfman, Peabody Children's Chorus, Morgan State University Choir, Baltimore Symphony Orchestra, Marin Alsop	A Major	5	11B	66 BPM
Die Walküre, WWV 86B - Concert version / Dritter Aufzug: The Ride of the Valkyries	Richard Wagner, Wiener Philharmoniker, Sir Georg Solti	G Major	4	9B	91 BPM
Scheherazade, Op. 35: II. Lento - Andantino "The Legend of the Kalendar Prince"	Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock	G Major	1	9B	59 BPM
Chopin / Orch. Elgar: Piano Sonata No. 2 in B-Flat Minor, Op. 35 "Funeral March": III. Marche funèbre. Lento	Frédéric Chopin, London Philharmonic Orchestra, Sir Adrian Boult	E Major	4	12B	79 BPM
Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: IV. Finale (Allegro con fuoco)	Pyotr Ilyich Tchaikovsky, San Francisco Symphony, Michael Tilson Thomas	F Minor	4	4A	80 BPM
The Planets, Op. 32: III. Mercury, the Winged Messenger	Gustav Holst, The Cambridge Singers, Royal Philharmonic Orchestra, Owain Arwel Hughes	F Major	0	7B	75 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7668418884277344

End: 0.7713117599487305