"Raymonda, Op. 57: Act I - Scene mimique" by Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov was released on March 18, 1996. The duration of Raymonda, Op. 57: Act I - Scene mimique is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Raymonda, Op. 57: Act I - Scene mimique's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Alexander Glazunov, Alexander Anissimov's "Glazunov, A.K.: Orchestral Works, Vol. 1 - Raymonda" album is number 20 out of 68. Raymonda, Op. 57: Act I - Scene mimique is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Raymonda, Op. 57: Act I - Scene mimique by Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
13 Pieces, Op. 76: No. 1 Esquisse | Jean Sibelius, Håvard Gimse | A Major | 1 | 11B | 141 BPM | ||
Prokofiev: Romeo and Juliet, Op. 64, Act 1, Scene 1: Introduction | Sergei Prokofiev, André Previn, London Symphony Orchestra | B Major | 0 | 1B | 105 BPM | ||
Petite suite: I. En bateau (arr. H. Busser for orchestra): I. En bateau | Claude Debussy, Henri Büsser, Orchestre National De Lyon, Jun Markl | G Major | 0 | 9B | 93 BPM | ||
Charakterstücke, Op. 3, JB 1:65: No. 3, Es siedet und brauset un sicht | Bedřich Smetana, Jitka Čechová | A♭ Minor | 2 | 1A | 76 BPM | ||
Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies | Alexander Glazunov, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
Le tombeau de Couperin (version for orchestra): No. 4. Rigaudon | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | B♭ Major | 3 | 6B | 93 BPM | ||
Clarinet Sonata in E-Flat Major, Op. 167: I. Allegretto | Camille Saint-Saëns, Kimball Sykes, Stephane Lemelin | G Major | 1 | 9B | 125 BPM | ||
Saxophone Quartet B Major, Op. 109: IIb. Var. 1 - L'istesso Tempo | Alexander Glazunov, Signum Saxophone Quartet | F Major | 5 | 7B | 141 BPM | ||
Raymonda, Op. 57: Act III - Variation IV | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D Minor | 0 | 7A | 90 BPM |
Section: 0.8381681442260742
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