Benjamin Britten, Geraint Evans, Jean Watson, Sir Peter Pears, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden's 'Peter Grimes, Op.33 / Act 1: "Old Joe Has Gone Fishing"' had a release date set for January 1, 1959. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Peter Grimes, Op.33 / Act 1: "Old Joe Has Gone Fishing"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 18 out of 45 in Britten: Peter Grimes by Benjamin Britten, Sir Peter Pears, Claire Watson, Orchestra of the Royal Opera House, Covent Garden. Based on our statistics, Peter Grimes, Op.33 / Act 1: "Old Joe Has Gone Fishing"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Peter Grimes, Op.33 / Act 1: "Old Joe Has Gone Fishing" by Benjamin Britten, Geraint Evans, Jean Watson, Sir Peter Pears, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
Rejoice in the Lamb, Op. 30: Hallelujah from the heart of God | Benjamin Britten, Benedict Giles, Malcolm Green, Simon Wall, Thomas Williams, Iain Farrington, Choir of St. John's College, Cambridge, Christopher Robinson | F Major | 0 | 7B | 111 BPM | ||
The Rite of Spring: Part One: Adoration of the Earth: The Augurs of Spring - Dance of the Young Girls | Igor Stravinsky, Teodor Currentzis, musicAeterna | B♭ Major | 3 | 6B | 120 BPM | ||
Ma mère l'oye, ballet, M. 62: 3. Les Entretiens de la Belle et de la Bête.Mouvement de Valse modéré | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | G Minor | 0 | 6A | 89 BPM | ||
Piano Concerto in A Minor, Op.16: II. Adagio | Edvard Grieg, Javier Perianes, Sakari Oramo, BBC Symphony Orchestra | D♭ Major | 0 | 3B | 93 BPM | ||
Rejoice in the Lamb, Op. 30: For the Mouse is a creature of great personal valour | Benjamin Britten, Benedict Giles, Malcolm Green, Simon Wall, Thomas Williams, Iain Farrington, Choir of St. John's College, Cambridge, Christopher Robinson | B♭ Minor | 0 | 3A | 133 BPM | ||
Die Meistersinger von Nürnberg, WWV 96: Prelude | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | C Major | 4 | 8B | 99 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.1 Scherzo | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | G Minor | 2 | 6A | 123 BPM | ||
Symphony No. 8 in C Minor, Op. 65: III. Allegro non troppo | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | F Major | 5 | 7B | 167 BPM | ||
Peter Grimes, Op.33 / Prologue: "Peter Grimes!" | Benjamin Britten, David Kelly, Owen Brannigan, Sir Peter Pears, Orchestra of the Royal Opera House, Covent Garden | G Major | 1 | 9B | 104 BPM |