"Rejoice in the Lamb, Op. 30: For the Mouse is a creature of great personal valour" by Benjamin Britten, Benedict Giles, Malcolm Green, Simon Wall, Thomas Williams, Iain Farrington, Choir of St. John's College, Cambridge, Christopher Robinson was released on May 2, 2000. With Rejoice in the Lamb, Op. 30: For the Mouse is a creature of great personal valour being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 3 out of 22 in Britten: Rejoice in the Lamb / Hymn To St. Cecilia / Missa Brevis, Op. 63 by Benjamin Britten, Choir of St. John's College, Cambridge, Christopher Robinson. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Rejoice in the Lamb, Op. 30: For the Mouse is a creature of great personal valour's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rejoice in the Lamb, Op. 30: For the Mouse is a creature of great personal valour by Benjamin Britten, Benedict Giles, Malcolm Green, Simon Wall, Thomas Williams, Iain Farrington, Choir of St. John's College, Cambridge, Christopher Robinson is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'incoronazione di Poppea, SV 308, Act 3: Pur ti miro, pur ti godo | Sara Macliver, Sally-Anne Russell | F♯ Major | 1 | 2B | 74 BPM | ||
Brandenburg Concerto No. 2 in F, BWV 1047: 1. (Allegro) | Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten | B♭ Major | 1 | 6B | 109 BPM | ||
I Know That My Redeemer Liveth | Cecilia McDowall, The Choir of The Queen's College Oxford, Owen Rees | D Major | 1 | 10B | 134 BPM | ||
The Turn of the Screw Op. 54, ACT TWO: Scene 1 : Colloquy and Soliloquy (Governess/Quint/Miss Jessel) | Benjamin Britten, Ian Bostridge, Daniel Harding, Mahler Chamber Orchestra | D♭ Major | 1 | 3B | 65 BPM | ||
O sacrum convivium! | Olivier Messiaen, Choir of St. John's College, Cambridge, George Guest | E♭ Minor | 1 | 2A | 79 BPM | ||
Mass for Double Choir: IV. Sanctus - Benedictus | Frank Martin, Westminster Choir, Joe Miller | D Major | 2 | 10B | 122 BPM | ||
Elijah, Op. 70: "Be Not Afraid, Saith God the Lord" (Chorus) | Felix Mendelssohn, Gabrieli, William Whitehead, Paul McCreesh | G Major | 3 | 9B | 132 BPM | ||
Herr, wenn ich nur dich habe, SWV 280 | Heinrich Schütz, Vox Luminis, Lionel Meunier | A Minor | 1 | 8A | 85 BPM | ||
Brandenburg Concerto No.1 in F, BWV 1046: 1. (Allegro) | Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten | F Major | 3 | 7B | 159 BPM | ||
A Midsummer Night's Dream / Act 2: "Flower Of This Purple Dye" | Benjamin Britten, Alfred Deller, Stephen Terry, Sir Peter Pears, Heather Harper, Thomas Hemsley, Josephine Veasey, London Symphony Orchestra | E♭ Major | 3 | 5B | 86 BPM |
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