On May 25, 2010, the song "Symphony No. 8 in C Minor, Op. 65: III. Allegro non troppo" was released by Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko. Symphony No. 8 in C Minor, Op. 65: III. Allegro non troppo is about six minutes long, preciously at 6:12, making this song fairly long compared to other songs. There are a total of 5 in the song's album "Shostakovich: Symphony No. 8". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Hong Kong. The popularity of Symphony No. 8 in C Minor, Op. 65: III. Allegro non troppo is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Symphony No. 8 in C Minor, Op. 65: III. Allegro non troppo by Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko having a BPM of 167 with a half-time of 84 BPM and a double-time of 334 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Strauss, Johann II: Die Fledermaus, Act 2: "Mein Herr Marquis" (Adele) | Johann Strauss II, Diana Damrau, David Charles Abell, Karl Huffier, Royal Liverpool Philharmonic Orchestra | G Major | 3 | 9B | 73 BPM | ||
Noviy Vavilon (New Babylon), Op. 18 (original manuscript version): Reel 1, General Sale: War - Death to the Prussians | Dmitri Shostakovich, Basel Sinfonietta, Mark Fitz-Gerald | D Minor | 1 | 7A | 159 BPM | ||
Daphnis et Chloé, M. 57 / Troisième partie: Pantomime | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | F♯ Minor | 0 | 11A | 169 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 8. W.N. (Allegretto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 0 | 9B | 84 BPM | ||
Ancient Airs And Dances, Suite No.3, [P. 172]: 1. Italiana | Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa | B♭ Major | 1 | 6B | 96 BPM | ||
Symphony No. 2: II. Allegro molto | Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra | F Major | 1 | 7B | 146 BPM | ||
Puppentänze: No. 3, Romanze | Dmitri Shostakovich, Anna Vinnitskaya | G Minor | 0 | 6A | 97 BPM | ||
Le Festin D'Esope Op. 39 No. 12 | Charles-Valentin Alkan, Igor Roma | E Minor | 2 | 9A | 138 BPM | ||
Carmen Fantasy, Op. 25: II. Lento assai | Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | A Minor | 1 | 8A | 82 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante | Johannes Brahms, Berliner Philharmoniker, Claudio Abbado | C Major | 0 | 8B | 82 BPM |
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