On February 21, 2006, the song "Partita in A Minor, GWV 150: V. Menuets I & II alternativement" was released by Christoph Graupner, Geneviève Soly. The duration of Partita in A Minor, GWV 150: V. Menuets I & II alternativement is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Partita in A Minor, GWV 150: V. Menuets I & II alternativement's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Christoph Graupner, Geneviève Soly's "Graupner: Darmstadt Harpsicord Book (Partitas For Harpsichord, Vol. 5)" album is number 5 out of 22. On top of that, United States appears to be the country where this track was created. Based on our statistics, Partita in A Minor, GWV 150: V. Menuets I & II alternativement's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Partita in A Minor, GWV 150: V. Menuets I & II alternativement by Christoph Graupner, Geneviève Soly to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Telemann: Tafelmusik, Pt. 3: Ouverture-Suite in B-Flat Major, TWV 55:B1: V. Flaterie | Georg Philipp Telemann, Amsterdam Baroque Orchestra, Ton Koopman, Ku Ebbinge, Michel Henry, Monica Huggett, Alison Bury | F♯ Major | 1 | 2B | 73 BPM | ||
XII sonate a tre o quattro strumenti e basso: Sonata X a 3 | Antonio Bertali, Ars Antiqua Austria, Gunar Letzbor | F♯ Major | 2 | 2B | 88 BPM | ||
Scylla et Glaucus, Op. 11: Prologue. Ouverture | Jean-Marie Leclair, d’Albaret, Orfeo Orchestra, Gyorgy Vashegyi | A Major | 0 | 11B | 94 BPM | ||
Trio Sonata in C Major, BuxWV 256: V. Adagio - Allegro | Dietrich Buxtehude, Ensemble Mélero | A Major | 3 | 11B | 103 BPM | ||
Madrigals Libro, No.6: Moro, Lasso, Al Mio Duolo | Carlo Gesualdo, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
Wir wissen, dass Trübsal Geduld bringet, GWV 1121/44: III. Ach Jesu, lass dich mein' erbarmen | Christoph Graupner, Michael Feyfar, Markus Flaig, Ensemble Concerto Grosso, Hans Michael Beuerle | D♭ Major | 1 | 3B | 82 BPM | ||
Marais: Pièces en trio: Suite No. 4 en si bémol majeur: III. Air | Marin Marais, Ensemble Amalia | A Major | 0 | 11B | 76 BPM | ||
3e Livre de Sonates à violon seul et basse continue, Sonata Sexta: I. Adagio | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Concerto grosso in D Major, Op. 3 No. 4: II. Allegro ardito | Pietro Castrucci, Antonio Anselmi, Marco Serino, Vito Paternoster, I Musici | D Minor | 3 | 7A | 71 BPM | ||
Violin Sonata in G Minor, Op. 2 No. 3: I. Adagio | Michele Mascitti, Fabrizio Cipriani, Antonio Fantinuoli | B Major | 2 | 1B | 111 BPM |
Section: 0.6742868423461914
End: 0.6802916526794434