Pietro Castrucci, Antonio Anselmi, Marco Serino, Vito Paternoster, I Musici made "Concerto grosso in D Major, Op. 3 No. 4: II. Allegro ardito" available on July 29, 2016. The duration of Concerto grosso in D Major, Op. 3 No. 4: II. Allegro ardito is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Concerto grosso in D Major, Op. 3 No. 4: II. Allegro ardito's duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 22 in Concerti Romani: Corelli's Heritage and the Roman School by I Musici. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Concerto grosso in D Major, Op. 3 No. 4: II. Allegro ardito is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Concerto grosso in D Major, Op. 3 No. 4: II. Allegro ardito by Pietro Castrucci, Antonio Anselmi, Marco Serino, Vito Paternoster, I Musici is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in D Minor, Op. 1 No. 7: IV. Allegro | Pietro Castrucci, Simon Standage, Friederike Chylek | D♭ Minor | 2 | 12A | 116 BPM | ||
Canone inverso: III. Finale interrotto | Ennio Morricone, Marco Serino, Leandro Piccioni, Orchestra Haydn di Bolzano e Trento, Andrea Morricone | A Minor | 4 | 8A | 64 BPM | ||
Symphony in A Major, Eisen A1: III. Allegro | Leopold Mozart, Toronto Chamber Orchestra, Kevin Mallon | A Major | 0 | 11B | 97 BPM | ||
Sonata in C Minor for Violin and Continuo, Op. 1 No. 9: I. Andante | Jean-Pierre Guignon, David Plantier, Les plaisirs du Parnasse | D Major | 1 | 10B | 96 BPM | ||
Per le antiche scale (from the Bolognini Movie) | Ennio Morricone, Marco Serino, Orchestra Haydn di Bolzano e Trento, Andrea Morricone | D Major | 4 | 10B | 127 BPM | ||
Recorder Sonata in D Minor, Op. 1, No. 10: IV. Allegro | Pietro Castrucci, Michael Schneider, Toshonori Ozaki, Annette Schneider, Sabine Bauer | D♭ Minor | 2 | 12A | 73 BPM | ||
Telemann: Tafelmusik, Pt. 3: Ouverture-Suite in B-Flat Major, TWV 55:B1: III. Allégresse. Vite - Meno mosso | Georg Philipp Telemann, Amsterdam Baroque Orchestra, Ton Koopman, Ku Ebbinge, Michel Henry, Monica Huggett, Alison Bury | F♯ Minor | 2 | 11A | 113 BPM | ||
Concerto In F For Organ, Op 4 No 4: Allegro | A Nanut | D Major | 1 | 10B | 63 BPM | ||
Brian De Palma Suite: I. Main Theme from Casualties of War | Ennio Morricone, Marco Serino, Orchestra Haydn di Bolzano e Trento, Andrea Morricone | D Major | 2 | 10B | 91 BPM | ||
Concerto grosso in B-Flat Major, Op. 1 No.3: II. Allegro | Pietro Locatelli, Orchestre De Chambre De Toulouse, Gilles Colliard | A Major | 3 | 11B | 99 BPM |
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