Jean-Marie Leclair, d’Albaret, Orfeo Orchestra, Gyorgy Vashegyi's 'Scylla et Glaucus, Op. 11: Prologue. Ouverture' came out on October 20, 2023. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Jean-Marie Leclair, d’Albaret, Orfeo Orchestra, Gyorgy Vashegyi, Judith van Wanroij, Cyrille Dubois, Véronique Gens, Purcell Choir's "Leclair: Scylla et Glaucus, Op. 11" album is number 1 out of 103. On top of that, Spain appears to be the country where this track was created. In terms of popularity, Scylla et Glaucus, Op. 11: Prologue. Ouverture is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Scylla et Glaucus, Op. 11: Prologue. Ouverture by Jean-Marie Leclair, d’Albaret, Orfeo Orchestra, Gyorgy Vashegyi to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dardanus, RCT 35, Act IV Scene 4 (Revised 1744 Version): Je viens briser votre chaîne cruelle | Jean-Philippe Rameau, Judith van Wanroij, Cyrille Dubois, Orfeo Orchestra, Gyorgy Vashegyi | A♭ Minor | 1 | 1A | 177 BPM | ||
Marais: Pièces en trio: Suite No. 1 en do majeur: II. Première sarabande | Marin Marais, Ensemble Amalia | B Major | 1 | 1B | 169 BPM | ||
Violin Sonata in F Major, Op. 5 No. 4: III. Vivace (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Dardanus, RCT 35, Act IV Scene 5 (Revised 1744 Version): Calmez le trouble qui vous presse | Jean-Philippe Rameau, Judith van Wanroij, Cyrille Dubois, Tassis Christoyannis, Orfeo Orchestra, Gyorgy Vashegyi | B Major | 2 | 1B | 128 BPM | ||
Les Indes galantes, RCT 44, Prologue: Entrée de la suite d'Hébé | Jean-Philippe Rameau, Orfeo Orchestra, Gyorgy Vashegyi | F♯ Major | 2 | 2B | 124 BPM | ||
Sammartini: Recorder Concerto in F Major: I. Allegro | Giuseppe Sammartini, Sir Neville Marriner, David Munrow, Academy of St. Martin in the Fields | F Major | 1 | 7B | 119 BPM | ||
Concerto for Trumpet, 2 Oboes, Strings and Continuo: II. Largo | Johann Friedrich Fasch, Giuliano Sommerhalder, Kammerorchester Basel, Julia Schröder | D♭ Major | 1 | 3B | 81 BPM | ||
3e Livre de Sonates à violon seul et basse continue, Sonata Sexta: II. Corrente | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": III. Danza pastorale. Allegro | Antonio Vivaldi, Anima Musicæ Chamber Orchestra | F Minor | 1 | 4A | 171 BPM | ||
Concerto grosso in B-Flat Major, 1 No.3: IV. | Pietro Locatelli, Orchestre De Chambre De Toulouse, Gilles Colliard | E Major | 4 | 12B | 146 BPM |
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