Concerto in D Major, Seibel 226: II. Adagio
Johann David Heinichen, Ensemble Diderot, Johannes Pramsohler, Alexis Kossenko, Jon Olaberria
Travel Concertos
2:18 October 14, 2022
BPM
135
Key
D♭ Minor
Camelot
12A

Embed

Share Link

Concerto in D Major, Seibel 226: II. Adagio - Johann David Heinichen, Ensemble Diderot, Johannes Pramsohler, Alexis Kossenko, Jon Olaberria Information

Acousticness
93%
Danceability
17%
Energy
12%
Instrumentalness
3%
Liveness
9%
Loudness
67%
Speechiness
4%
Valence
8%
Popularity
Loudness
-19.676 dB

Summary

"Concerto in D Major, Seibel 226: II. Adagio" by Johann David Heinichen, Ensemble Diderot, Johannes Pramsohler, Alexis Kossenko, Jon Olaberria was released on October 14, 2022. The duration of Concerto in D Major, Seibel 226: II. Adagio is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Concerto in D Major, Seibel 226: II. Adagio's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Travel Concertos". In this album, this song's track order is #11. Furthermore, we believe that the track originated from France. Based on our statistics, Concerto in D Major, Seibel 226: II. Adagio's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Concerto in D Major, Seibel 226: II. Adagio BPM

With Concerto in D Major, Seibel 226: II. Adagio by Johann David Heinichen, Ensemble Diderot, Johannes Pramsohler, Alexis Kossenko, Jon Olaberria having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.

Concerto in D Major, Seibel 226: II. Adagio Key

This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Sonata in F Major, Op. 1, No. 1: Grave - Allegro - Adagio - Allegro by Arcangelo Corelli, Simon Standage, Michaela Comberti, Anthony Pleeth, Trevor PinnockSonata in F Major, Op. 1, No. 1: Grave - Allegro - Adagio - AllegroArcangelo Corelli, Simon Standage, Michaela Comberti, Anthony Pleeth, Trevor PinnockE Major112B71 BPM
La gloria di primavera, Pt. 1: Part I: Sinfonia by Alessandro Scarlatti, Philharmonia Baroque Orchestra, Nicholas McGeganLa gloria di primavera, Pt. 1: Part I: SinfoniaAlessandro Scarlatti, Philharmonia Baroque Orchestra, Nicholas McGeganA♭ Major14B108 BPM
Symphony in A Major, J-C 62: IIIa. Presto assai by Giovanni Battista Sammartini, Aradia Ensemble, Kevin MallonSymphony in A Major, J-C 62: IIIa. Presto assaiGiovanni Battista Sammartini, Aradia Ensemble, Kevin MallonA♭ Major24B119 BPM
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): II. Allegro by Charles Avison, The Avison Ensemble, Pavlo BeznosiukConcerto Grosso No. 5 in D Minor (after D. Scarlatti): II. AllegroCharles Avison, The Avison Ensemble, Pavlo BeznosiukD♭ Minor212A132 BPM
Deuxième Suite in G Major: IV. La Leclair - Très vivement et détaché by Antoine Forqueray, Jean-Baptiste Forqueray, Michèle Dévérité, Kaori Uemura, Ricardo RodríguezDeuxième Suite in G Major: IV. La Leclair - Très vivement et détachéAntoine Forqueray, Jean-Baptiste Forqueray, Michèle Dévérité, Kaori Uemura, Ricardo RodríguezF♯ Major12B77 BPM
Concerto Grosso No.9 in A minor after Concerto Grosso No.9 in A minor after "Lessons for the Harpsichord" by Domenico Scarlatti: 1. LargoCharles Avison, The English Concert, Trevor PinnockB Major11B143 BPM
Symphony in D Major, J-C 16: I. Alla breve by Giovanni Battista Sammartini, Aradia Ensemble, Kevin MallonSymphony in D Major, J-C 16: I. Alla breveGiovanni Battista Sammartini, Aradia Ensemble, Kevin MallonA♭ Major14B64 BPM
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Ballo d'eroi ed eroine negli Elisi by Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'AmoreGluck: Orfeo ed Euridice, Wq. 30, Act 2: Ballo d'eroi ed eroine negli ElisiChristoph Willibald Gluck, Stefan Plewniak, Il Giardino d'AmoreD♭ Major33B129 BPM
Concerto in G Major, S. 213: 1. Allegro (I) by Johann David Heinichen, Musica Antiqua Köln, Reinhard GoebelConcerto in G Major, S. 213: 1. Allegro (I)Johann David Heinichen, Musica Antiqua Köln, Reinhard GoebelD♭ Major23B123 BPM
8 Violin Sonatas and 4 Concertos, Op. 7, No. 2 in E Minor: II. Allegro by Michele Mascitti, Concerto Italiano, Rinaldo Alessandrini8 Violin Sonatas and 4 Concertos, Op. 7, No. 2 in E Minor: II. AllegroMichele Mascitti, Concerto Italiano, Rinaldo AlessandriniE♭ Minor22A115 BPM
ISRC
FR9W12225879
Label
L-M Records/RCA Records

Section: 0.4812941551208496

End: 0.48525190353393555