Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon made "Symphony in A Major, J-C 62: IIIa. Presto assai" available on November 15, 2005. The duration of Symphony in A Major, J-C 62: IIIa. Presto assai is about 3 minutes long, at 3:14. Based on our data, "Symphony in A Major, J-C 62: IIIa. Presto assai" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 19 in the song's album "Sammartini, G.B.: Symphonies J-C 4, 9, 16, 23, 36, 62". In this album, this song's track order is #3. In terms of popularity, Symphony in A Major, J-C 62: IIIa. Presto assai is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Symphony in A Major, J-C 62: IIIa. Presto assai by Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto in B-Flat Major, Wq. 171: I. Allegretto | Carl Philipp Emanuel Bach, Julian Steckel, Stuttgart Chamber Orchestra, Susanne Von Gutzeit | B♭ Major | 1 | 6B | 135 BPM | ||
Concerto Grosso in B-Flat Major, Op. 1, No. 3: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | G Minor | 1 | 6A | 121 BPM | ||
Pergolesi: Flute Concerto in G Major, P. 33: III. Allegro spiritoso (Also Attributed to Paganelli) | Giovanni Battista Pergolesi, Jean-Pierre Rampal, Karl Ristenpart, Kammerorchester des Saarländischen Rundfunks | G Major | 2 | 9B | 119 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: VII. Allegro Assai | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Major | 1 | 4B | 82 BPM | ||
Flute Concerto in D Minor, QV 5:81: I. Allegro e con spirito | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | C Minor | 1 | 5A | 92 BPM | ||
Mozart: Divertimento in B-Flat Major, K. 137 "Salzburg Symphony No. 2": I. Andante | Wolfgang Amadeus Mozart, Amsterdam Baroque Orchestra, Ton Koopman | C Major | 0 | 8B | 127 BPM | ||
Concerto grosso in C Minor, Op. 2, No. 1: IV. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 180 BPM | ||
Symphony in A Major, Brown A4: III. Allegro | Karl von Ordóñez, Toronto Chamber Orchestra, Kevin Mallon | F Major | 0 | 7B | 80 BPM | ||
Sinfonia for winds, strings and basso continuo in F Major, H. 656, Wq. 181: II. Andante | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin | C Minor | 1 | 5A | 72 BPM | ||
Madrigals to Foure Voyces (1594) - XVIII: Ho! Who comes here? | Thomas Morley, Alfred Deller, Deller Consort | C Major | 2 | 8B | 154 BPM |
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