Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore made "Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Ballo d'eroi ed eroine negli Elisi" available on April 26, 2024. With Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Ballo d'eroi ed eroine negli Elisi being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Christoph Willibald Gluck, Stefan Plewniak, Elsa Dreisig, Fatma Said, Jakub Józef Orliński, Il Giardino d'Amore's "Gluck: Orfeo ed Euridice, Wq. 30" album is number 12 out of 30. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Ballo d'eroi ed eroine negli Elisi's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Ballo d'eroi ed eroine negli Elisi by Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Eléments: X. Caprice | Jean-Féry Rebel, Akademie für Alte Musik Berlin, Georg Kallweit, Midori Seiler | D♭ Major | 3 | 3B | 76 BPM | ||
Oboe Concerto in B-Flat Major, Op. 7 No. 3: III. Allegro | Tomaso Albinoni, Kostroma Chamber Orchestra, Oleg Yakubovich, Pavel Gerstein | B♭ Major | 3 | 6B | 115 BPM | ||
Symphony in E-Flat Major, Op. 3 No. 4, WolS Eb3: II. Andante | Johann Stamitz, Musica Viva, Alexander Rudin | B Minor | 0 | 10A | 81 BPM | ||
Telemann: Tafelmusik, Pt. 3, Ouverture-Suite in B-Flat Major, TWV 55:B1: I. Ouverture. Lentement - Presto | Georg Philipp Telemann, Amsterdam Baroque Orchestra, Ton Koopman, Ku Ebbinge, Michel Henry, Monica Huggett, Alison Bury | A Major | 2 | 11B | 130 BPM | ||
Battalia à 10 in D Major, C 61: I. Sonata | Heinrich Isaac von Biber, Il Giardino d'Amore, Stefan Plewniak | F Major | 1 | 7B | 78 BPM | ||
Sonata in C Minor, Jung III.2.B: I. Largo | Johann Georg Pisendel, Concerto Köln, Mayumi Hirasaki | B Minor | 1 | 10A | 96 BPM | ||
Sinfonia No. 7 in G Minor, RosS 533.7: II. Moderato | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | A♭ Minor | 2 | 1A | 117 BPM | ||
6 Sonatas, ZWV 81, No. 6 in C Minor: II. Allegro | Jan Dismas Zelenka, Stefan Schilli, François Leleux, Marco Postinghel, Philippe Malfeyt, Beatrice Martin, Heinrich Braun | A♭ Major | 2 | 4B | 101 BPM | ||
Concerto In F For Organ, Op 4 No 4: Allegro | A Nanut | D Major | 1 | 10B | 63 BPM | ||
Geigenjodler in G - 2007 | Salzburger Adventsingen, Salzburger Geigenmusik | G Major | 1 | 9B | 148 BPM |
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