"Concerto Grosso No.9 in A minor after "Lessons for the Harpsichord" by Domenico Scarlatti: 1. Largo" by Charles Avison, The English Concert, Trevor Pinnock was released on January 1, 1985. The duration of Concerto Grosso No.9 in A minor after "Lessons for the Harpsichord" by Domenico Scarlatti: 1. Largo is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Concerto Grosso No.9 in A minor after "Lessons for the Harpsichord" by Domenico Scarlatti: 1. Largo's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Pachelbel: Canon & Gigue / Handel: The Arrival of the Queen of Sheba". In this album, this song's track order is #11. Based on our statistics, Concerto Grosso No.9 in A minor after "Lessons for the Harpsichord" by Domenico Scarlatti: 1. Largo's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto Grosso No.9 in A minor after "Lessons for the Harpsichord" by Domenico Scarlatti: 1. Largo by Charles Avison, The English Concert, Trevor Pinnock having a BPM of 143 with a half-time of 72 BPM and a double-time of 286 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 9 in C, K.73: 4. Molto allegro | Wolfgang Amadeus Mozart, The English Concert, Trevor Pinnock | G Major | 2 | 9B | 96 BPM | ||
Les plaisirs: Sarabande | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 144 BPM | ||
Pieces de clavecin en concerts: Concert No. 1 in C Minor: I. La Coulicam (Rondement) | Jean-Philippe Rameau, London Baroque | C Minor | 5 | 5A | 155 BPM | ||
Concerto No. 1 in D Major: I. Allegro assai | Alessandro Marcello, Simon Standage, Collegium Musicum 90 | D♭ Major | 3 | 3B | 106 BPM | ||
Symphony No. 5 in B flat, K.22: 2. Andante | Wolfgang Amadeus Mozart, The English Concert, Trevor Pinnock | D Major | 2 | 10B | 149 BPM | ||
Concerto for Oboe, Violin, Strings and Continuo in B Flat Major, RV 548: III. Allegro | Antonio Vivaldi, David Reichenberg, Simon Standage, The English Concert, Trevor Pinnock | B Minor | 4 | 10A | 119 BPM | ||
12 Violin Concertos, Op. 4 - "La stravaganza" / Concerto No. 9 in F Major, RV 284: 2. Largo | Antonio Vivaldi, Simon Standage, The English Concert, Trevor Pinnock | A♭ Minor | 0 | 1A | 110 BPM | ||
Concerto Grosso In F Minor, Op. 1, No. 8: III. Andante | Pietro Locatelli, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Minor | 1 | 8A | 99 BPM | ||
Concerto For Oboe In D Minor - Presto | Tafelmusik Baroque Orchestra | D♭ Minor | 3 | 12A | 104 BPM | ||
Violin Sonata in C Major, Wq. 73, H. 504: II. Andante | Carl Philipp Emanuel Bach, Georg Kallweit, Christine Schornsheim | A♭ Minor | 1 | 1A | 88 BPM |
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