Jean-Philippe Rameau, London Baroque made "Pieces de clavecin en concerts: Concert No. 1 in C Minor: I. La Coulicam (Rondement)" available on February 1, 2003. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 16 in the song's album "Rameau: Pieces de clavecin en concerts". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Sweden. Based on our statistics, Pieces de clavecin en concerts: Concert No. 1 in C Minor: I. La Coulicam (Rondement)'s popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Pieces de clavecin en concerts: Concert No. 1 in C Minor: I. La Coulicam (Rondement) by Jean-Philippe Rameau, London Baroque having a BPM of 155 with a half-time of 78 BPM and a double-time of 310 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Quartet in D Minor: I. Poco allegro | Johann Friedrich Fasch, Epoca Barocca | D♭ Minor | 2 | 12A | 101 BPM | ||
Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: IV. Bourrée | Johann Sebastian Bach, Il Giardino Armonico, Enrico Onofri, Marco Cera, Paolo Grazzi, Trompeten-Consort Innsbruck, Giovanni Antonini | D♭ Major | 4 | 3B | 114 BPM | ||
Trio Sonata in C Minor, FaWV N:c2: IV. Allegro | Johann Friedrich Fasch, London Baroque | B Minor | 2 | 10A | 115 BPM | ||
Sinfonia da camera in G Minor, Op. 2 No. 3: III. Adagio | Nicola Porpora, London Baroque | E Major | 1 | 12B | 106 BPM | ||
Sinfonia in A Major: III. Presto assai | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Major | 3 | 11B | 113 BPM | ||
Sinfonia da camera in G Minor, Op. 2 No. 3: II. Allegro | Nicola Porpora, London Baroque | E♭ Minor | 1 | 2A | 82 BPM | ||
Concerto a cinque No. 9, Op. 7: II. Adagio (Oboe tacet) | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | E Major | 1 | 12B | 131 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 9: III. Allemanda: Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 3 | 10B | 175 BPM | ||
Instrumental Music from Dioclesian, Z. 627: 2. Preludio | Henry Purcell, Jeanne Lamon, Tafelmusik Baroque Orchestra | B Minor | 0 | 10A | 114 BPM | ||
Concerto Grosso in F Major, Op. 1, No. 1: I. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | C Major | 2 | 8B | 137 BPM |
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