Nicola Porpora, London Baroque made "Sinfonia da camera in G Minor, Op. 2 No. 3: III. Adagio" available on March 26, 2013. The duration of Sinfonia da camera in G Minor, Op. 2 No. 3: III. Adagio is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Sinfonia da camera in G Minor, Op. 2 No. 3: III. Adagio's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "The trio sonata in 18th century italy". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Sweden. In terms of popularity, Sinfonia da camera in G Minor, Op. 2 No. 3: III. Adagio is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Sinfonia da camera in G Minor, Op. 2 No. 3: III. Adagio by Nicola Porpora, London Baroque having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trio Sonata, Op. 1, No. 1: III. Dolce | Charles Avison, London Baroque | D♭ Minor | 1 | 12A | 80 BPM | ||
Mensa sonora / PARS I (In D Major): 2. Allamanda | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 1 | 3B | 109 BPM | ||
Partie a 4 in G-dur: Un orage d'avril | Johann Pachelbel, London Baroque, Charles Medlam | F♯ Major | 2 | 2B | 107 BPM | ||
Sonata Da Camera No. 9 in A Major, Op. 5: I. Preludio (Largo) | Arcangelo Corelli, Ottavio Dantone, Stefano Montanari | F Minor | 1 | 4A | 81 BPM | ||
The Little Consort: Suite No. 3 in D Minor: III. Courante | Matthew Locke, London Baroque | D♭ Minor | 2 | 12A | 103 BPM | ||
Trio Sonata No. 4 in C Major, DürG 13 (Attrib. J.S. Bach as BWV 1037): III. Largo | Johann Gottlieb Goldberg, London Baroque | E♭ Minor | 1 | 2A | 82 BPM | ||
Trio Sonata in E Minor, Op. 37 No. 2, PB 437: I. Allegro | Joseph Bodin de Boismortier, London Baroque | D♭ Major | 3 | 3B | 118 BPM | ||
Harpsichord Concerto No. 4 in C Minor, Op. 10: I. Vivace | John Stanley, London Baroque | B Minor | 2 | 10A | 119 BPM | ||
Trio Sonata, Op. 1, No. 1: IV. Allegro | Charles Avison, London Baroque | B Major | 3 | 1B | 123 BPM | ||
Sinfonia da camera in G Minor, Op. 2 No. 3: IV. Allegro | Nicola Porpora, London Baroque | E Major | 1 | 12B | 106 BPM |
Section: 0.6457462310791016
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