"Mensa sonora / PARS I (In D Major): 2. Allamanda" by Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel was released on January 1, 1988. The duration of Mensa sonora / PARS I (In D Major): 2. Allamanda is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Mensa sonora / PARS I (In D Major): 2. Allamanda's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 47 in Biber: Mensa Sonora by Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Mensa sonora / PARS I (In D Major): 2. Allamanda is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mensa sonora / PARS I (In D Major): 2. Allamanda by Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viola da Gamba Suite in D Major: VIII. Aria | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 0 | 3B | 114 BPM | ||
Sonatae tam aris quam aulis servientes: Duo No. 11, C. 136 | Heinrich Ignaz Franz von Biber, Harmonie Universelle, Florian Deuter, Hans-Martin Rux-Brachtendorf, Astrid Brachtendorf | B Major | 2 | 1B | 74 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 7 in G Major: V. Allegro assai | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Alain Gervreau | F♯ Major | 3 | 2B | 124 BPM | ||
"Concerto comique" No.25 In G Minor "Les sauvages et La Furstemberg": 3. La Furstemberg - Allegro | Michel Corrette, Musica Antiqua Köln, Henk Bouman, Reinhard Goebel | F♯ Minor | 2 | 11A | 85 BPM | ||
Trumpet Concerto in D Major, G. 28: II. Adagio | Giuseppe Torelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | D♭ Major | 4 | 3B | 185 BPM | ||
Concerto con 2 violini e viola da gamba, Archi e continuo (Re Minore, RV 565): IV. Allegro | Antonio Vivaldi, Jordi Savall, Luca Guglielmi, Manfredo Kraemer, Pablo Valetti, Le Concert Des Nations | F♯ Major | 4 | 2B | 115 BPM | ||
18 Sonatas in 1, 2, 3 Parts: Sonata No. 2 in D Major | Giovanni Battista Fontana, Daniele Caminiti, Marcin Świątkiewicz, Rachel Podger | D♭ Major | 1 | 3B | 127 BPM | ||
Trio Sonata in G Minor, Op. 1, No. 1, RV 73: III. Adagio | Antonio Vivaldi, Ingrid Seifert, Richard Gwilt, Charles Medlam, Terence R. Charlston, Irmgard Schaller, London Baroque | F♯ Minor | 1 | 11A | 79 BPM | ||
Mystery (Rosary) Sonata No. 6, "Christ on the Mount of Olives"*: II. Presto | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | D Major | 1 | 10B | 110 BPM | ||
Suite In G Minor (Suite En Sol Mineur): Fantaisie | Marin Marais | F♯ Minor | 1 | 11A | 165 BPM |
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