"Julie: Act I, Scene 3" by Philippe Boesmans, Chamber Orchestra of La Monnaie, Garry Magee, Malena Ernman, Kerstin Avemo, Kazushi Ono was released on October 1, 2009. The duration of Julie: Act I, Scene 3 is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Julie: Act I, Scene 3's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 12 in Boesmans: Julie - Opera in One Act by Philippe Boesmans, Chamber Orchestra of La Monnaie, Garry Magee, Malena Ernman, Kerstin Avemo, Kazushi Ono. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. Julie: Act I, Scene 3 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Julie: Act I, Scene 3 by Philippe Boesmans, Chamber Orchestra of La Monnaie, Garry Magee, Malena Ernman, Kerstin Avemo, Kazushi Ono is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ah ! toi belle hirondelle (Arr. for Soprano and Chamber Ensemble by Claude Lapalme) | Anonymous, Karina Gauvin, Valérie Milot, Étienne Lafrance, Quatuor Molinari, Pentaèdre, Claude Lapalme | E♭ Major | 1 | 5B | 82 BPM | ||
Emmeline: Act One: The Lord Has spared this child" | Santa Fe Opera | B♭ Minor | 1 | 3A | 78 BPM | ||
Suite para cuerdas, Op. 9: III. Intermezzo | Roberto Caamaño, Buenos Aires Symphony Orchestra, Ministry of Education National Music Orchestra, Luis Gianneo | A Major | 2 | 11B | 121 BPM | ||
Petrushka, K12 (1947 Version): IIIa. The Moor's Room – IIIb. Dance of the Ballerina | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B Major | 1 | 1B | 173 BPM | ||
Fantasia for Cello & Orchestra, W454: III. Allegro expressivo | Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo | E♭ Major | 1 | 5B | 133 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante (4) | Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 67 BPM | ||
Reigen: Scene VI, Part I | Philippe Boesmans, Orchestre Symphonique De La Monnaie, Franz-Ferdinand Nentwig, Randi Stene, Sylvain Cambreling | E♭ Minor | 1 | 2A | 112 BPM | ||
Messiaen: Éclairs sur l'au-delà...: III. L'oiseau-lyre et la ville-fiancée | Olivier Messiaen, Sir Simon Rattle, Berliner Philharmoniker | G Minor | 3 | 6A | 82 BPM | ||
A Child of our Time, Part I: Interludium | Michael Tippett, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante (1) | Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 67 BPM |
Section: 0.7068116664886475
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