"Petrushka, K12 (1947 Version): IIIa. The Moor's Room – IIIb. Dance of the Ballerina" by Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä was released on March 8, 2024. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "Stravinsky: Petrushka; Debussy: Jeux, Prélude". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. The popularity of Petrushka, K12 (1947 Version): IIIa. The Moor's Room – IIIb. Dance of the Ballerina is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Petrushka, K12 (1947 Version): IIIa. The Moor's Room – IIIb. Dance of the Ballerina by Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä having a BPM of 173 with a half-time of 86 BPM and a double-time of 346 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Harmonie der Welt Symphony: II. Musica Humana | Paul Hindemith, Yan Pascal Tortelier, BBC Philharmonic Orchestra | D♭ Major | 0 | 3B | 74 BPM | ||
Prokofiev: Symphony No. 7 in C-Sharp Minor, Op. 131: I. Moderato | Sergei Prokofiev, Mstislav Rostropovich, Orchestre National De France | A♭ Minor | 2 | 1A | 70 BPM | ||
Métaboles: I. Incantatoire | Henri Dutilleux, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | D♭ Major | 1 | 3B | 74 BPM | ||
Petrushka, K12 (1947 Version): IIIa. The Moor's Room – IIIb. Dance of the Ballerina | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B Major | 1 | 1B | 173 BPM | ||
Dutilleux: Cello Concerto, Tout un monde lointain: III. Houles (Large et ample) | Henri Dutilleux, Mstislav Rostropovich, Serge Baudo, Orchestre de Paris | D Major | 2 | 10B | 121 BPM | ||
Götterdämmerung, WWV 86D, Act II: Hagen's Call to His Clan | Richard Wagner, Berliner Philharmoniker, Lorin Maazel | C Major | 1 | 8B | 60 BPM | ||
Three Rags: Poltergeist (arr. by Hamilton Berry) | William Bolcom, William Bolcom (arranged by Hamilton Berry), Decoda | C Major | 1 | 8B | 95 BPM | ||
Indiana Jones and the Last Crusade: Scherzo for Motorcycle and Orchestra | Danish National Symphony Orchestra, Christian Schumann | D Minor | 5 | 7A | 87 BPM | ||
Le martyre de saint Sébastien, L. 124: No. 1, La cour de lys | Claude Debussy, Michael Tilson Thomas, London Symphony Orchestra | F Major | 3 | 7B | 86 BPM | ||
Turangalîla-Symphony: V. Joie du sang des étoiles. Vif, passionné, avec joie | Olivier Messiaen, Toronto Symphony Orchestra, Gustavo Gimeno, Marc-André Hamelin, Nathalie Forget | D♭ Major | 5 | 3B | 85 BPM |
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