"Ah ! toi belle hirondelle (Arr. for Soprano and Chamber Ensemble by Claude Lapalme)" by Anonymous, Karina Gauvin, Valérie Milot, Étienne Lafrance, Quatuor Molinari, Pentaèdre, Claude Lapalme was released on April 19, 2024. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Karina Gauvin, Valérie Milot, Étienne Lafrance, Pierre McLean, Quatuor Molinari, Pentaèdre's "Marie Hubert - Fille du Roy" album is number 5 out of 21. On top of that, Canada appears to be the country where this track was created. Ah ! toi belle hirondelle (Arr. for Soprano and Chamber Ensemble by Claude Lapalme) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ah ! toi belle hirondelle (Arr. for Soprano and Chamber Ensemble by Claude Lapalme) by Anonymous, Karina Gauvin, Valérie Milot, Étienne Lafrance, Quatuor Molinari, Pentaèdre, Claude Lapalme to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alluki | Anonymous, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | F Major | 1 | 7B | 174 BPM | ||
Strauss, R: 5 Lieder, Op. 48: No. 2, In Schwebe | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Chants de Terre et de Ciel: No. 2, Antienne du silence (pour le jour des Anges gardiens) | Olivier Messiaen, Barbara Hannigan, Bertrand Chamayou | A Minor | 1 | 8A | 112 BPM | ||
Hassan, DCW 8, Act 5 Scene 2: Prelude to the last scene. With flowing movement | Frederick Delius, Britten Sinfonia Voices, Britten Sinfonia, Jamie Phillips | C Major | 0 | 8B | 84 BPM | ||
La mi sola, Laureola… | Maria Bayo, J.A. Alvarez-Parejo | A Major | 0 | 11B | 167 BPM | ||
Poème d'un jour, Op. 21: No. 3, Adieu | Gabriel Fauré, Stéphane Degout, Alain Planès | E Major | 1 | 12B | 136 BPM | ||
Zālīts, Pel t,velc miedziiņu | Jānis Zālīts, Elina Garanca, Malcolm Martineau | A♭ Major | 0 | 4B | 81 BPM | ||
Concerto for Cello and Orchestra: II. Allegro appassionato | William Walton, Laura van der Heijden, BBC Scottish Symphony Orchestra, Ryan Wigglesworth | G Minor | 0 | 6A | 103 BPM | ||
Quid gloriaris in malitia (salmo 51) | Orfeón de Miravalles | C Minor | 1 | 5A | 78 BPM | ||
Lachrimae Coactae Pavan | John Dowland, Thurston Dart, Thurson Dart, London Philharmonic Orchestra | C Major | 1 | 8B | 153 BPM |
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