"Strauss, R: 5 Lieder, Op. 48: No. 2, In Schwebe" by Richard Strauss, Sabine Devieilhe, Mathieu Pordoy was released on March 29, 2024. The duration of Strauss, R: 5 Lieder, Op. 48: No. 2, In Schwebe is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Strauss, R: 5 Lieder, Op. 48: No. 2, In Schwebe's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Sabine Devieilhe, Mathieu Pordoy's "Mozart & Strauss: Lieder" album is number 21 out of 24. On top of that, United Kingdom appears to be the country where this track was created. Strauss, R: 5 Lieder, Op. 48: No. 2, In Schwebe is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Strauss, R: 5 Lieder, Op. 48: No. 2, In Schwebe by Richard Strauss, Sabine Devieilhe, Mathieu Pordoy to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Zālīts, Pel t,velc miedziiņu | Jānis Zālīts, Elina Garanca, Malcolm Martineau | A♭ Major | 0 | 4B | 81 BPM | ||
R. Hahn - Le ruban dénoué - 12 valses à deux pianos et une mélodie: R. Hahn - Puisque j'ai mis ma lèvre - Mélodie sur une poésie de Victor Hugo - Lent | Reynaldo Hahn, Sandrine Piau, Eric Le Sage | D♭ Minor | 1 | 12A | 100 BPM | ||
Akt I: Titurel, der fromme Held | Richard Wagner, Georg Zeppenfeld, Philippe Jordan | A♭ Major | 1 | 4B | 76 BPM | ||
Adams: Girls of the Golden West, Act I Scene 3: Josefa, you remember | John Adams, Los Angeles Philharmonic, Daniela Mack, Elliot Madore | A♭ Major | 3 | 4B | 83 BPM | ||
A te | Giacomo Puccini, Angela Gheorghiu, Vincenzo Scalera | G Major | 1 | 9B | 74 BPM | ||
Poulenc: Léocadia, FP 106: Les chemins de l'amour | Francis Poulenc, Sabine Devieilhe, Alexandre Tharaud | D♭ Major | 1 | 3B | 83 BPM | ||
Die Fledermaus: Act I: Trio: Nein, mit solchen Advokaten (Rosalinde, Eisenstein, Blind) | Johann Strauss II, Aga Mikolaj, Paul Armin Edelmann, Jürgen Sacher, Cologne West German Radio Orchestra, Friedrich Haider | G Major | 4 | 9B | 142 BPM | ||
Six Lieder, Op.13: 1. Ich stand in dunklen Träumen | Clara Schumann, Barbara Bonney, Vladimir Ashkenazy | E♭ Major | 0 | 5B | 68 BPM | ||
Die Fledermaus: Act I: Duettino: Ach, ich darf nicht hin zu ihr (Rosalinde, Adele) | Johann Strauss II, Aga Mikolaj, Chen Reiss, Cologne West German Radio Orchestra, Friedrich Haider | A Major | 1 | 11B | 99 BPM | ||
Der Rosenkavalier, Op. 59, TrV 227, Act I: Macht das einen lahmen Esel aus mir? (Live) | Richard Strauss, Wiener Philharmoniker, George Szell, Jaro Prohaska, Maria Reining, Jarmila Novotna | B♭ Major | 4 | 6B | 74 BPM |
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