"Poulenc: Léocadia, FP 106: Les chemins de l'amour" by Francis Poulenc, Sabine Devieilhe, Alexandre Tharaud was released on September 11, 2020. The duration of Poulenc: Léocadia, FP 106: Les chemins de l'amour is about 3 minutes long, at 3:11. Based on our data, "Poulenc: Léocadia, FP 106: Les chemins de l'amour" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 29 out of 29 in Chanson d'Amour by Sabine Devieilhe, Alexandre Tharaud. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Poulenc: Léocadia, FP 106: Les chemins de l'amour is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Poulenc: Léocadia, FP 106: Les chemins de l'amour by Francis Poulenc, Sabine Devieilhe, Alexandre Tharaud is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Pêcheurs de perles, WD 13: Prelude | Georges Bizet, Alexandre Bloch, Orchestre National de Lille | C Minor | 1 | 5A | 95 BPM | ||
Delage: 4 poèmes hindous: II. Lahore | Maurice Delage, Sabine Devieilhe, François-Xavier Roth, Les Siècles | B Minor | 0 | 10A | 85 BPM | ||
Canteloube: Chants d'Auvergne, Book 1: Bailèro | Joseph Canteloube, Dawn Upshaw, Kent Nagano, Orchestre de l'Opéra de Lyon | C Minor | 2 | 5A | 80 BPM | ||
Preludes, Op. 28: No. 3, Vivace | Frédéric Chopin, Alexandre Tharaud | G Major | 1 | 9B | 80 BPM | ||
Bernstein: Divertimento for Orchestra: II. Waltz | Leonard Bernstein, Paavo Järvi, City Of Birmingham Symphony Orchestra | G Major | 0 | 9B | 72 BPM | ||
Petite messe solennelle: Agnus Dei | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Delphine Galou | C Major | 1 | 8B | 74 BPM | ||
Mozart: Mass in C minor, K. 427: "Et incarnatus est" | Wolfgang Amadeus Mozart, Sabine Devieilhe, Raphael Pichon, Ensemble Pygmalion | C Major | 1 | 8B | 130 BPM | ||
Berlioz: Les Nuits d'été, Op. 7, H 81b: II. Le spectre de la rose, H 83b | Hector Berlioz, Louis Langrée, Orchestre De L'Opéra National De Lyon | D Major | 0 | 10B | 85 BPM | ||
Sicilienne du Concerto en ré mineur, BWV 596 | Johann Sebastian Bach, Alexandre Tharaud | D Minor | 0 | 7A | 70 BPM | ||
Idaspe: Ombra fedela anch'io (Air de Dario) | Derek Lee Ragin, Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska | D♭ Major | 0 | 3B | 71 BPM |
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