"Six Lieder, Op.13: 1. Ich stand in dunklen Träumen" by Clara Schumann, Barbara Bonney, Vladimir Ashkenazy was released on January 1, 1997. The duration of Six Lieder, Op.13: 1. Ich stand in dunklen Träumen is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Six Lieder, Op.13: 1. Ich stand in dunklen Träumen's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "Robert & Clara Schumann Lieder - Frauenliebe und -Leben". In this album, this song's track order is #18. Six Lieder, Op.13: 1. Ich stand in dunklen Träumen is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Six Lieder, Op.13: 1. Ich stand in dunklen Träumen by Clara Schumann, Barbara Bonney, Vladimir Ashkenazy having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elijah, Op. 70, MWV A25 / Part 2: "But the Lord from the north hath raised one" | Felix Mendelssohn, Edinburgh Festival Chorus, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | G Major | 1 | 9B | 145 BPM | ||
Palestrina: Act III - "Wie lange sie bleiben" | Otmar Suitner, Staatskapelle Berlin, Berlin State Opera Chorus, Carola Nossek, Helmut Oertel, Peter Schreier | F♯ Major | 1 | 2B | 87 BPM | ||
Wer hat dies Liedlein erdacht | Gustav Mahler, Felicity Lott, Graham Johnson | C Minor | 3 | 5A | 133 BPM | ||
Piano Concerto No. 2 in G minor Op. 16: Andantino - Allegretto | Sergei Prokofiev, Evgeny Kissin, Vladimir Ashkenazy, Philharmonia Orchestra | G Minor | 1 | 6A | 90 BPM | ||
Wesendonck Lieder, WWV 91: Träume | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | A♭ Major | 1 | 4B | 76 BPM | ||
Dolente immagine di Fille mia | Vincenzo Bellini, Cecilia Bartoli, James Levine | E Minor | 0 | 9A | 82 BPM | ||
Requiem in D minor, K.626: 6. Benedictus | Wolfgang Amadeus Mozart, Anne Sofie von Otter, Barbara Bonney, Hans Peter Blochwitz, Willard White, English Baroque Soloists, John Eliot Gardiner | B♭ Major | 1 | 6B | 90 BPM | ||
V'Adoro, Pupille From Giulio Cesare | George Frideric Handel, Heidi Grant Murphy, Kevin Murphy | F Major | 1 | 7B | 101 BPM | ||
Die Nacht, Op.10, No.3 | Richard Strauss, Barbara Bonney, Malcolm Martineau | D Major | 0 | 10B | 174 BPM | ||
Evensong | Liza Lehmann, Steuart Bedford, Catherine Wyn-Rogers | A♭ Major | 0 | 4B | 75 BPM |
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