"Evensong" by Liza Lehmann, Steuart Bedford, Catherine Wyn-Rogers was released on March 1, 2004. The duration of Evensong is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Evensong's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Liza Lehmann's "Lehmann: Daisy Chain (The) / Bird Songs / Four Cautionary Tales (English Song, Vol. 8)" album is number 14 out of 28. On top of that, Hong Kong appears to be the country where this track was created. Evensong is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Evensong by Liza Lehmann, Steuart Bedford, Catherine Wyn-Rogers to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Death in Venice, Op. 88 / Act 2: "Guardate, Signore!" | Benjamin Britten, John Shirley-Quirk, Sir Peter Pears, English Chamber Orchestra, Steuart Bedford | A Major | 0 | 11B | 119 BPM | ||
The Beggar's Opera - Realised Britten, Op. 43 / Act 3: "Thus Gamesters United In Friendship" | John Gay, John Rawnsley, The Aldeburgh Festival Orchestra, Steuart Bedford | G Major | 4 | 9B | 84 BPM | ||
Poème de l'amour et de la mer, Op. 19: I. La fleur des eaux | Ernest Chausson, Véronique Gens, Orchestre National de Lille, Alexandre Bloch | F Major | 1 | 7B | 72 BPM | ||
Love's Philosophy, Op. 3, No. 1 | Roger Quilter, Kathryn Rudge, James Baillieu | A Major | 2 | 11B | 86 BPM | ||
Gloria: 1. Gloria | Francis Poulenc, Choeur de l'Orchestre de Paris, Orchestre de Paris, Paavo Järvi | B♭ Major | 2 | 6B | 130 BPM | ||
Ein deutsches Requiem, Op.45: 5. Solo (Sopran) und Chor: "Ihr habt nun Traurigkeit" | Johannes Brahms, Barbara Hendricks, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener Singverein | G Major | 0 | 9B | 92 BPM | ||
V'Adoro, Pupille From Giulio Cesare | George Frideric Handel, Heidi Grant Murphy, Kevin Murphy | F Major | 1 | 7B | 101 BPM | ||
Wie Melodien zieht es mir, Op. 105, No. 1 | Johannes Brahms, Jessye Norman, Daniel Barenboim | A♭ Major | 0 | 4B | 102 BPM | ||
Chausson: Les papillons, Op. 2, No. 3 | Ernest Chausson, Susan Graham, Malcolm Martineau | G Major | 1 | 9B | 78 BPM | ||
4 Songs, Op. 13: No. 3. Sure on this shining night | Samuel Barber, Birmingham Conservatoire Chamber Choir, Ben Kennedy, Paul Spicer | B♭ Major | 0 | 6B | 101 BPM |
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