Roger Quilter, Kathryn Rudge, James Baillieu's 'Love's Philosophy, Op. 3, No. 1' came out on October 30, 2014. With Love's Philosophy, Op. 3, No. 1 being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Kathryn Rudge, James Baillieu's "Love's Old Sweet Song" album is number 20 out of 26. On top of that, United Kingdom appears to be the country where this track was created. Love's Philosophy, Op. 3, No. 1 is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Love's Philosophy, Op. 3, No. 1 by Roger Quilter, Kathryn Rudge, James Baillieu to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 5/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canciones Clásicas Españolas, Vol. 1: VI. Del cabello más sutil (Dos cantares populares) | Fernando Obradors, Pumeza Matshikiza, James Baillieu | F♯ Major | 1 | 2B | 67 BPM | ||
3 songs, Op. 7: I. Après un rêve | Gabriel Fauré, Peter Moore, James Baillieu | A♭ Major | 7 | 4B | 93 BPM | ||
O del mio dolce ardor - Live | Christoph Willibald Gluck, Angela Gheorghiu | D Major | 1 | 10B | 100 BPM | ||
Orfeo ed Euridice / Act 3: Aria: "Che farò senza Euridice?" | Christoph Willibald Gluck, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | C Major | 2 | 8B | 106 BPM | ||
Trois Jours de vendange | Reynaldo Hahn, Susan Graham | B Minor | 1 | 10A | 81 BPM | ||
None But the Lonely Heart, Op. 6 No. 6 | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Oleg Boshniakovich | D♭ Major | 0 | 3B | 93 BPM | ||
5 Shakespeare Songs, Op. 23: No. 4. Take, O take those lips away | Roger Quilter, Mark Stone, Stephen Barlow | D♭ Major | 1 | 3B | 85 BPM | ||
Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre" | Charles Gounod, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | C Major | 2 | 8B | 77 BPM | ||
Bizet: Carmen, WD 31, Act 3, Scene 1: "Je dis que rien ne m'épouvante" (Micaëla) | Georges Bizet, Giuseppe Sinopoli, Angela Gheorghiu, Bavarian State Orchestra | E♭ Major | 0 | 5B | 135 BPM | ||
Gounod: Faust, Act 3: "Les grands seigneurs ... Ah ! je ris de me voir si belle" (Marguerite) | Charles Gounod, Elsa Dreisig, Michael Schønwandt, Orchestre national de Montpellier Occitanie | D Major | 1 | 10B | 100 BPM |
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