Canciones Clásicas Españolas, Vol. 1: VI. Del cabello más sutil (Dos cantares populares)
Fernando Obradors, Pumeza Matshikiza, James Baillieu
Obradors: Canciones Clásicas Españolas, Vol. 1: VI. Del cabello más sutil (Dos cantares populares) [Musical Moments]
1:13 February 19, 2021
BPM
67
Key
F♯ Major
Camelot
2B

Embed

Share Link

Canciones Clásicas Españolas, Vol. 1: VI. Del cabello más sutil (Dos cantares populares) - Fernando Obradors, Pumeza Matshikiza, James Baillieu Information

Acousticness
100%
Danceability
34%
Energy
10%
Instrumentalness
0%
Liveness
8%
Loudness
73%
Speechiness
5%
Valence
20%
Popularity
Loudness
-16.473 dB

Summary

Fernando Obradors, Pumeza Matshikiza, James Baillieu's 'Canciones Clásicas Españolas, Vol. 1: VI. Del cabello más sutil (Dos cantares populares)' came out on February 19, 2021. With Canciones Clásicas Españolas, Vol. 1: VI. Del cabello más sutil (Dos cantares populares) being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. Since Obradors: Canciones Clásicas Españolas, Vol. 1: VI. Del cabello más sutil (Dos cantares populares) [Musical Moments] only contains only one song in the album, we like to consider this song as a single. Canciones Clásicas Españolas, Vol. 1: VI. Del cabello más sutil (Dos cantares populares) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Canciones Clásicas Españolas, Vol. 1: VI. Del cabello más sutil (Dos cantares populares) BPM

With Canciones Clásicas Españolas, Vol. 1: VI. Del cabello más sutil (Dos cantares populares) by Fernando Obradors, Pumeza Matshikiza, James Baillieu having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Canciones Clásicas Españolas, Vol. 1: VI. Del cabello más sutil (Dos cantares populares) Key

F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Six Lieder, Op. 13: 2. Sie liebten sich beide by Clara Schumann, Barbara Bonney, Vladimir AshkenazySix Lieder, Op. 13: 2. Sie liebten sich beideClara Schumann, Barbara Bonney, Vladimir AshkenazyC Minor05A167 BPM
Chansons de Marjolie: No. 3, Celui que j’aime by Théodore Dubois, Véronique Gens, Munich Radio Orchestra, Herve NiquetChansons de Marjolie: No. 3, Celui que j’aimeThéodore Dubois, Véronique Gens, Munich Radio Orchestra, Herve NiquetA Major111B89 BPM
Strauss, R: 5 Lieder, Op. 48: No. 2, In Schwebe by Richard Strauss, Sabine Devieilhe, Mathieu PordoyStrauss, R: 5 Lieder, Op. 48: No. 2, In SchwebeRichard Strauss, Sabine Devieilhe, Mathieu PordoyG Minor06A82 BPM
Te Deum: Sanctus by Johann Simon Mayr, Priska Eser-Streit, Merit Ostermann, Andreas Hirtreiter, Jorg Schneider, Robert Merwald, Simon Mayr Choir, Franz Hauk, Ingolstadt Georgian Chamber OrchestraTe Deum: SanctusJohann Simon Mayr, Priska Eser-Streit, Merit Ostermann, Andreas Hirtreiter, Jorg Schneider, Robert Merwald, Simon Mayr Choir, Franz Hauk, Ingolstadt Georgian Chamber OrchestraA♭ Minor21A125 BPM
Tchut, Tchut, Serie 4, No. 4 by Joseph Canteloube, Patricia Rozario, Sir John Pritchard, Philharmonia OrchestraTchut, Tchut, Serie 4, No. 4Joseph Canteloube, Patricia Rozario, Sir John Pritchard, Philharmonia OrchestraA Major111B115 BPM
Annelies (chamber version): V. Life in hiding by James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James JordanAnnelies (chamber version): V. Life in hidingJames Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James JordanA Minor18A78 BPM
Stabat Mater, Op. 58, B. 71: V. Tui nati vulnerati. Andante con moto quasi allegretto by Antonín Dvořák, Prague Symphony Orchestra, Prague Philharmonic Choir, Jiří Bělohlávek, Jaroslav BrychStabat Mater, Op. 58, B. 71: V. Tui nati vulnerati. Andante con moto quasi allegrettoAntonín Dvořák, Prague Symphony Orchestra, Prague Philharmonic Choir, Jiří Bělohlávek, Jaroslav BrychG Major09B88 BPM
Debussy: Apparition, CD 57, L. 53 by Claude Debussy, Sabine Devieilhe, Alexandre TharaudDebussy: Apparition, CD 57, L. 53Claude Debussy, Sabine Devieilhe, Alexandre TharaudA♭ Minor11A89 BPM
Iphigénie en Tauride, Wq. 46 (Excerpts): Patrie infortunée by Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Pilar LorengarIphigénie en Tauride, Wq. 46 (Excerpts): Patrie infortunéeChristoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Pilar LorengarG Major19B86 BPM
An die Musik by Vienna Boys' ChoirAn die MusikVienna Boys' ChoirE Major012B80 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6990647315979004

End: 0.7053675651550293