"4 Songs, Op. 13: No. 3. Sure on this shining night" by Samuel Barber, Birmingham Conservatoire Chamber Choir, Ben Kennedy, Paul Spicer was released on March 25, 2016. The duration of 4 Songs, Op. 13: No. 3. Sure on this shining night is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. 4 Songs, Op. 13: No. 3. Sure on this shining night's duration is considered a little bit shorter than the average duration of a typical track. The song is number 19 out of 22 in Barber: Choral Music by Samuel Barber, Birmingham Conservatoire Chamber Choir, Paul Spicer. In terms of popularity, 4 Songs, Op. 13: No. 3. Sure on this shining night is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 4 Songs, Op. 13: No. 3. Sure on this shining night by Samuel Barber, Birmingham Conservatoire Chamber Choir, Ben Kennedy, Paul Spicer is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass No. 2 in G Major, D. 167: VI. Agnus Dei | Franz Schubert, Barbara Bonney, Andreas Schmidt, Katrine Bryndorf, Chamber Orchestra of Europe, Claudio Abbado, Chor der Wiener Staatsoper | E Minor | 0 | 9A | 73 BPM | ||
The Long Day Closes | The King's Singers | F Major | 0 | 7B | 107 BPM | ||
3 Sacred Hymns: No. 1. Bogoroditse devo, raduysya, Blagodotnaya Marie (Hail Mary, full of Grace) | Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra | E♭ Major | 1 | 5B | 69 BPM | ||
3 Sacred Songs, Op. 69: No. 3, Abendlied "Bleib bei uns, es will Abend werden" | Josef Rheinberger, Westminster Kantorei, Amanda Quist | F Major | 2 | 7B | 134 BPM | ||
Trois chansons, M.69: 2. Trois beaux oiseaux du Paradis | Maurice Ravel, Nicola Jenkin, Susan Gritton, Nicolas Robertson, Julian Clarkson, The Monteverdi Choir, John Eliot Gardiner | F Minor | 0 | 4A | 83 BPM | ||
Gounod: Messe solennelle de Sainte-Cécile, CG 56: V. Benedictus (Soprano, Chorus) | Charles Gounod, Barbara Hendricks, Georges Prêtre, Nouvel Orchestre Philharmonique de Radio France | B♭ Major | 0 | 6B | 68 BPM | ||
Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | ||
Kheruvimskaya pesnya (Cherubic Hymn) | Pyotr Ilyich Tchaikovsky, SWR Vokalensemble Stuttgart, Marcus Creed | E Minor | 0 | 9A | 82 BPM | ||
4 Letzte Lieder (4 Last Songs), TrV 296: No. 4. Im Abendrot | Richard Strauss, Soile Isokoski, Berlin Rundfunkorchester, Marek Janowski | E♭ Major | 0 | 5B | 89 BPM | ||
Requiem aeternam I | Herbert Howells, Conspirare, Craig Hella Johnson | E Minor | 0 | 9A | 80 BPM |
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