3 Sacred Hymns: No. 1. Bogoroditse devo, raduysya, Blagodotnaya Marie (Hail Mary, full of Grace)
Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra
Schnittke: Konzert für Chor, Stimmen der Natur & 3 Geistliche Gesänge - Pärt: Dopo la vittoria
2:04 November 5, 2013
BPM
69
Key
E♭ Major
Camelot
5B

Embed

Share Link

3 Sacred Hymns: No. 1. Bogoroditse devo, raduysya, Blagodotnaya Marie (Hail Mary, full of Grace) - Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra Information

Acousticness
99%
Danceability
20%
Energy
6%
Instrumentalness
96%
Liveness
9%
Loudness
46%
Speechiness
4%
Valence
4%
Popularity
Loudness
-32.159 dB

Summary

"3 Sacred Hymns: No. 1. Bogoroditse devo, raduysya, Blagodotnaya Marie (Hail Mary, full of Grace)" by Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra was released on November 5, 2013. The duration of 3 Sacred Hymns: No. 1. Bogoroditse devo, raduysya, Blagodotnaya Marie (Hail Mary, full of Grace) is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. 3 Sacred Hymns: No. 1. Bogoroditse devo, raduysya, Blagodotnaya Marie (Hail Mary, full of Grace)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 9 in the song's album "Schnittke: Konzert für Chor, Stimmen der Natur & 3 Geistliche Gesänge - Pärt: Dopo la vittoria". In this album, this song's track order is #5. 3 Sacred Hymns: No. 1. Bogoroditse devo, raduysya, Blagodotnaya Marie (Hail Mary, full of Grace) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

3 Sacred Hymns: No. 1. Bogoroditse devo, raduysya, Blagodotnaya Marie (Hail Mary, full of Grace) BPM

With 3 Sacred Hymns: No. 1. Bogoroditse devo, raduysya, Blagodotnaya Marie (Hail Mary, full of Grace) by Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

3 Sacred Hymns: No. 1. Bogoroditse devo, raduysya, Blagodotnaya Marie (Hail Mary, full of Grace) Key

E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Stabat Mater: 3. O quam tristis by Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie PearsonStabat Mater: 3. O quam tristisGiovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie PearsonG Minor16A80 BPM
Alma Redemptoris Mater by Hildegard von Bingen, Sequentia, Barbara ThorntonAlma Redemptoris MaterHildegard von Bingen, Sequentia, Barbara ThorntonF Major17B80 BPM
Messe solennelle pour deux orgues et choeur, Op. 16: IV. Benedictus by Louis Vierne, Michel BouvardMesse solennelle pour deux orgues et choeur, Op. 16: IV. BenedictusLouis Vierne, Michel BouvardE Major012B94 BPM
The Bells, Op. 35: II. Lento by Sergei Rachmaninoff, Tatiana Pavlovskaya, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Mariss JansonsThe Bells, Op. 35: II. LentoSergei Rachmaninoff, Tatiana Pavlovskaya, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Mariss JansonsG Major19B83 BPM
Introitus: I. Requiem aeternam by Cristobal de Morales, Musica Ficta, Raúl MallavibarrenaIntroitus: I. Requiem aeternamCristobal de Morales, Musica Ficta, Raúl MallavibarrenaA♭ Major14B88 BPM
Petite messe solennelle: XVII. O salutaris by Gioachino Rossini, Krassimira Stoyanova, Philip Mayers, Philip Moll, Ryoko Morooka, Marcus CreedPetite messe solennelle: XVII. O salutarisGioachino Rossini, Krassimira Stoyanova, Philip Mayers, Philip Moll, Ryoko Morooka, Marcus CreedG Major09B103 BPM
Petite messe solennelle: Gloria: Petite messe solennelle: Gloria: II. Laudamus te by Gioachino Rossini, Birgit Remmert, Marcus Creed, RIAS Kammerchor, Hanno Müller-Brachmann, Krassimira Stoyanova, Steve DavislimPetite messe solennelle: Gloria: Petite messe solennelle: Gloria: II. Laudamus teGioachino Rossini, Birgit Remmert, Marcus Creed, RIAS Kammerchor, Hanno Müller-Brachmann, Krassimira Stoyanova, Steve DavislimF Major17B80 BPM
Miserere mei, Z. 109 by Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda QuistMiserere mei, Z. 109Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda QuistA Minor18A66 BPM
Mass No. 2 in G Major, D. 167: Agnus Dei by Franz Schubert, Luba Orgonasova, Christian Elsner, Gustav Belacek, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Mariss JansonsMass No. 2 in G Major, D. 167: Agnus DeiFranz Schubert, Luba Orgonasova, Christian Elsner, Gustav Belacek, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Mariss JansonsD Major110B104 BPM
Mass for Double Choir: Gloria by Frank Martin, Bavarian Radio Chorus, Peter DijkstraMass for Double Choir: GloriaFrank Martin, Bavarian Radio Chorus, Peter DijkstraA Minor08A74 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6968293190002441

End: 0.7002582550048828