"3 Sacred Hymns: No. 1. Bogoroditse devo, raduysya, Blagodotnaya Marie (Hail Mary, full of Grace)" by Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra was released on November 5, 2013. The duration of 3 Sacred Hymns: No. 1. Bogoroditse devo, raduysya, Blagodotnaya Marie (Hail Mary, full of Grace) is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. 3 Sacred Hymns: No. 1. Bogoroditse devo, raduysya, Blagodotnaya Marie (Hail Mary, full of Grace)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 9 in the song's album "Schnittke: Konzert für Chor, Stimmen der Natur & 3 Geistliche Gesänge - Pärt: Dopo la vittoria". In this album, this song's track order is #5. 3 Sacred Hymns: No. 1. Bogoroditse devo, raduysya, Blagodotnaya Marie (Hail Mary, full of Grace) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 3 Sacred Hymns: No. 1. Bogoroditse devo, raduysya, Blagodotnaya Marie (Hail Mary, full of Grace) by Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 1 | 6A | 80 BPM | ||
Alma Redemptoris Mater | Hildegard von Bingen, Sequentia, Barbara Thornton | F Major | 1 | 7B | 80 BPM | ||
Messe solennelle pour deux orgues et choeur, Op. 16: IV. Benedictus | Louis Vierne, Michel Bouvard | E Major | 0 | 12B | 94 BPM | ||
The Bells, Op. 35: II. Lento | Sergei Rachmaninoff, Tatiana Pavlovskaya, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Mariss Jansons | G Major | 1 | 9B | 83 BPM | ||
Introitus: I. Requiem aeternam | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | A♭ Major | 1 | 4B | 88 BPM | ||
Petite messe solennelle: XVII. O salutaris | Gioachino Rossini, Krassimira Stoyanova, Philip Mayers, Philip Moll, Ryoko Morooka, Marcus Creed | G Major | 0 | 9B | 103 BPM | ||
Petite messe solennelle: Gloria: Petite messe solennelle: Gloria: II. Laudamus te | Gioachino Rossini, Birgit Remmert, Marcus Creed, RIAS Kammerchor, Hanno Müller-Brachmann, Krassimira Stoyanova, Steve Davislim | F Major | 1 | 7B | 80 BPM | ||
Miserere mei, Z. 109 | Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda Quist | A Minor | 1 | 8A | 66 BPM | ||
Mass No. 2 in G Major, D. 167: Agnus Dei | Franz Schubert, Luba Orgonasova, Christian Elsner, Gustav Belacek, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Mariss Jansons | D Major | 1 | 10B | 104 BPM | ||
Mass for Double Choir: Gloria | Frank Martin, Bavarian Radio Chorus, Peter Dijkstra | A Minor | 0 | 8A | 74 BPM |
Section: 0.6968293190002441
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