"Kheruvimskaya pesnya (Cherubic Hymn)" by Pyotr Ilyich Tchaikovsky, SWR Vokalensemble Stuttgart, Marcus Creed was released on August 5, 2014. With this song being about 5 minutes long, at 4:58, "Kheruvimskaya pesnya (Cherubic Hymn)" by Pyotr Ilyich Tchaikovsky, SWR Vokalensemble Stuttgart, Marcus Creed is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "Russia". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Germany. Kheruvimskaya pesnya (Cherubic Hymn) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Kheruvimskaya pesnya (Cherubic Hymn) by Pyotr Ilyich Tchaikovsky, SWR Vokalensemble Stuttgart, Marcus Creed having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liturgy of St. John Chrysostom, Op. 41, TH 75: Hymn of the Cherubim | Pyotr Ilyich Tchaikovsky, USSR Ministry of Culture Chamber Choir, Valery Polyansky | E♭ Minor | 0 | 2A | 61 BPM | ||
Hosanna to the Son of David | Thomas Weelkes, Andrew Fletcher, Ex Cathedra, Jeffrey Skidmore | B♭ Minor | 2 | 3A | 132 BPM | ||
A Little Jazz Mass (version for mixed chorus, piano, double bass and drum kit): Sanctus | Bob Chilcott, Wellensian Consort, Will Todd Trio, Christopher Finch | A♭ Major | 1 | 4B | 76 BPM | ||
Northern Lights | Sjaella | E♭ Minor | 0 | 2A | 105 BPM | ||
La Kanteletar: I. Herkä neito | Veljo Tormis, Mikrokosmos, Loïc Pierre | F♯ Major | 0 | 2B | 69 BPM | ||
Pesnopeniya i molitvi (Canticles and Prayers): The Nativity of Christ: Come, let us worship | Georgy Sviridov, Credo Chamber Choir, Bogdan Plish | D♭ Minor | 1 | 12A | 67 BPM | ||
4 Gesange, Op. 17: Es tont ein voller Harfenklang | Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | C Major | 1 | 8B | 111 BPM | ||
Requiem aeternam II | Herbert Howells, Conspirare, Craig Hella Johnson | D Major | 0 | 10B | 81 BPM | ||
Great Ektenia | The Russian State Symphony Cappella | B♭ Major | 2 | 6B | 72 BPM | ||
Requiem in D Minor, K. 626 (Paris 1804 Version): I. Introït | Niccolò Jommelli, Chantal Santon Jeffery, Éléonore Pancrazi, Chœur De Chambre De Namur, Le Concert de la Loge, Julien Chauvin | E Minor | 0 | 9A | 88 BPM |
Section: 0.613903284072876
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