"Liturgy of St. John Chrysostom, Op. 41, TH 75: Hymn of the Cherubim" by Pyotr Ilyich Tchaikovsky, USSR Ministry of Culture Chamber Choir, Valery Polyansky was released on January 1, 2016. Since Liturgy of St. John Chrysostom, Op. 41, TH 75: Hymn of the Cherubim is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 15 in the song's album "Pyotr Tchaikovsky. Liturgy of St John Chrysostom". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Liturgy of St. John Chrysostom, Op. 41, TH 75: Hymn of the Cherubim is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Liturgy of St. John Chrysostom, Op. 41, TH 75: Hymn of the Cherubim by Pyotr Ilyich Tchaikovsky, USSR Ministry of Culture Chamber Choir, Valery Polyansky having a BPM of 61 with a half-time of 30 BPM and a double-time of 122 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater, RV. 621: Stabat Mater, RV. 621: Stabat Mater dolorosa | Antonio Vivaldi, Andreas Scholl, Chiara Banchini, Ensemble 415 | E Minor | 1 | 9A | 173 BPM | ||
Barber: Agnus Dei | Samuel Barber, Winchester Cathedral Choir, David Hill | B♭ Minor | 1 | 3A | 71 BPM | ||
In monte Oliveti, IGM 4 | Giovanni Battista Martini, Pro Musica, Szabó Dénes | G Minor | 0 | 6A | 133 BPM | ||
Eternal Memory | "The Orthodox Singers" Male Choir, Georgiy Smirnov | D♭ Minor | 0 | 12A | 131 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: V. Glory Be to Thee | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E♭ Major | 1 | 5B | 97 BPM | ||
Tallis: Sancte Deus - 4. Quia Per Crucem Tuam | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 137 BPM | ||
Hymn of the Cherubim (Excerpts) | Bulgarian National Choir | D Major | 1 | 10B | 85 BPM | ||
Gratulemur christicole | Johannes Brassart, Ars Italica, Sigrid Lee, Francis Biggi, Marco Ferrari | B♭ Minor | 1 | 3A | 104 BPM | ||
Alleluia laus et gloria, IOL 8 | Orlande de Lassus, Pro Musica, Szabó Dénes | B♭ Major | 1 | 6B | 65 BPM | ||
Threefold Amen | Orlando Gibbons, Gabrieli, Paul McCreesh | D Major | 0 | 10B | 67 BPM |
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