- BPM
- 167
- Key
- A Major
- Camelot
- 11B
La mi sola, Laureola… - Maria Bayo, J.A. Alvarez-Parejo Information
- Acousticness
- 99%
- Danceability
- 25%
- Energy
- 1%
- Instrumentalness
- 0%
- Liveness
- 10%
- Loudness
- 45%
- Speechiness
- 5%
- Valence
- 7%
- Popularity
- 7%
- Loudness
- -32.999 dB
Summary
"La mi sola, Laureola…" by Maria Bayo, J.A. Alvarez-Parejo was released on January 1, 1992. The duration of La mi sola, Laureola… is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. La mi sola, Laureola…'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 33 in Canciones Españolas by Maria Bayo & J.A. Alvarez-Parejo. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of La mi sola, Laureola… is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
La mi sola, Laureola… BPM
The tempo marking of La mi sola, Laureola… by Maria Bayo, J.A. Alvarez-Parejo is Vivace (lively and fast), since this song has a tempo of 167 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
La mi sola, Laureola… Key
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | The Magic Flute, K. 620: Act II, No. 20. Aria: "Ein Mädchen oder Weibchen wünscht Papageno sich" | Rundfunkorchester des Südwestfunks Baden-Baden | F Major | 1 | 7B | 137 BPM | |
 | La Cenerentola / Act 2: "Son qui" | Gioachino Rossini, William Matteuzzi, Cecilia Bartoli, Gloria Banditelli, Fernanda Costa, Enzo Dara, Alessandro Corbelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | E♭ Major | 1 | 5B | 122 BPM | |
 | Rusalka, Op. 114, B. 203 / Act 1: "O Silver Moon" | Antonín Dvořák, Renée Fleming, London Symphony Orchestra, Sir Georg Solti | F♯ Major | 1 | 2B | 61 BPM | |
 | Don Pasquale / Act 3: "Com'è gentil...tornami a dir" | Gaetano Donizetti, Juan Diego Flórez, Andrea Menafra, Rossella Perrone, Giulio Patara, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | A Major | 2 | 11B | 102 BPM | |
 | Chanson triste | Henri Duparc, Véronique Gens, Susan Manoff | C Major | 1 | 8B | 107 BPM | |
 | Nik Badut maiteñobat | Joseph Canteloube, Maria Bayo, Orquesta Sinfonica De Tenerife, Victor Pablo Pérez | G Major | 3 | 9B | 111 BPM | |
 | Vaga luna che inargenti | Vincenzo Bellini, Cecilia Bartoli, James Levine | A♭ Major | 0 | 4B | 101 BPM | |
 | Siface: Come Nave in mezzo all'onde | Nicola Porpora, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | E Major | 4 | 12B | 140 BPM | |
 | Cantata HWV 170, Aria & Recitativo: I. "Tra Le Fiamme" | George Frideric Handel, Maria Bayo, Capriccio Stravagante, Skip Sempé | F♯ Major | 2 | 2B | 174 BPM | |
 | Rossini: La cenerentola, Act 2: "Nacqui all'affanno e al pianto.....Non più mesta" (Angelina) | Gioachino Rossini, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E Major | 1 | 12B | 122 BPM |
- ISRC
- USA560679145
- Label
- L-M Records/RCA Records
Section: 0.8656482696533203
End: 0.8690297603607178