Roberto Caamaño, Buenos Aires Symphony Orchestra, Ministry of Education National Music Orchestra, Luis Gianneo's 'Suite para cuerdas, Op. 9: III. Intermezzo' came out on June 1, 2011. With Suite para cuerdas, Op. 9: III. Intermezzo being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 28 in the song's album "Orchestral Music from Argentine Foreign Office (1955)". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Argentina. Based on our statistics, Suite para cuerdas, Op. 9: III. Intermezzo's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Suite para cuerdas, Op. 9: III. Intermezzo by Roberto Caamaño, Buenos Aires Symphony Orchestra, Ministry of Education National Music Orchestra, Luis Gianneo having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Introspection - Instrumental | Renato Di Prinzio | D Major | 0 | 10B | 167 BPM | ||
Manon Lescaut Intermezzo sinfonico, 900864: Manon Lescaut Intermezzo sinfonico, 3. Act | Giacomo Puccini, Ivan Repušić, Munich Radio Orchestra | A Major | 1 | 11B | 111 BPM | ||
Suite for Violin and Piano, Op. 6: II. Moto perpetuo | Benjamin Britten, Isabelle Faust, Alexander Melnikov, Boris Faust | F♯ Major | 1 | 2B | 138 BPM | ||
Si Yeou Ki, Pt. 1: I. Rêve et départ de San Ts'ang | Laurent Petitgirard, Hungarian Symphony Orchestra Budapest | B Minor | 0 | 10A | 101 BPM | ||
Freddy - Ravini To Miles | Jeff Russo | G Minor | 0 | 6A | 173 BPM | ||
Cancer - L'abitatore delle acque premordiali | Alessandra Garosi, Adam Simmons, David Jones | E♭ Minor | 0 | 2A | 85 BPM | ||
6 Épigraphes antiques, L. 131: VI. Pour remercier la pluie au matin | Claude Debussy, Orchestre Victor Hugo, Jean-François Verdier | F♯ Major | 1 | 2B | 82 BPM | ||
Symphony No. 2 in E-Flat Major, Op. 63: III. Rondo (Presto) | Edward Elgar, Hallé, Sir Mark Elder | D Major | 1 | 10B | 134 BPM | ||
Chamber Concerto for Piano and Strings - Toccata | David Joseph, Melbourne Chamber Orchestra, Michael Kieran Harvey, Spiros Rantos | D♭ Major | 6 | 3B | 127 BPM | ||
5 Pieces for String Quartet (Arr. for Orchestra by Manfred Honeck & Tomás Ille): No. 1, Alla valse Viennese. Allegro | Erwin Schulhoff, Pittsburgh Symphony Orchestra, Manfred Honeck | A♭ Major | 0 | 4B | 95 BPM |
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