"Emmeline: Act One: The Lord Has spared this child"" by Santa Fe Opera was released on June 1, 1998. Emmeline: Act One: The Lord Has spared this child" is about six minutes long, preciously at 5:58, making this song fairly long compared to other songs. The song is number 1 out of 30 in Emmeline by Santa Fe Opera. Emmeline: Act One: The Lord Has spared this child" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Emmeline: Act One: The Lord Has spared this child" by Santa Fe Opera is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mefistofele, Act I, Scene 2: Dai campi, dai prati | Arrigo Boito, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F Major | 1 | 7B | 170 BPM | ||
Emmeline: Act Two: "Matthew! Everything I want is gone" | Tobias Picker, Santa Fe Opera, Georege Manahan | B♭ Minor | 1 | 3A | 77 BPM | ||
Picker: The Encantadas: I. Dream | Tobias Picker, Christoph Eschenbach, Sir John Gielgud, Houston Symphony | C Minor | 1 | 5A | 63 BPM | ||
Act III, Scene VI: The New Foxhole | Tobias Picker, Donald Sturrock, Boston Modern Orchestra Project, Krista River, John Brancy, Elizabeth Futral, Tynan Davis, John Dooley, Jonathan Blalock, Theo Lebow, Gil Rose | D Minor | 0 | 7A | 96 BPM | ||
The Snow Maiden, Op. 12, Prologue: No. 1, Introduction (Moderato assai) | Pyotr Ilyich Tchaikovsky, BBC Scottish Symphony Orchestra, Alpesh Chauhan | A Major | 4 | 11B | 86 BPM | ||
E l'uccellino, SC 71 (Arr. for Voice & Orchestra by Johannes X. Schachtner) | Giacomo Puccini, Charles Castronovo, Munich Radio Orchestra, Ivan Repušić | G Major | 2 | 9B | 74 BPM | ||
HFTMRX | KNOXVILLETRACKZ | D♭ Minor | 0 | 12A | 174 BPM | ||
Awakenings, Act II, Scene 2: Leonards room, a week later. September 1969 | Tobias Picker, Aryeh Lev Stollman, Boston Modern Orchestra Project, Gil Rose | A Major | 2 | 11B | 69 BPM | ||
Ravi | Sanseti Sabaru | D Minor | 0 | 7A | 151 BPM | ||
The Blue Hula - Version for Piano | Tobias Picker, Ursula Oppens | A♭ Major | 1 | 4B | 79 BPM |
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