Awakenings, Act II, Scene 2: Leonards room, a week later. September 1969
Tobias Picker, Aryeh Lev Stollman, Boston Modern Orchestra Project, Gil Rose
Tobias Picker: Awakenings
6:31 September 15, 2023
BPM
69
Key
A Major
Camelot
11B

Embed

Share Link

Awakenings, Act II, Scene 2: Leonards room, a week later. September 1969 - Tobias Picker, Aryeh Lev Stollman, Boston Modern Orchestra Project, Gil Rose Information

Acousticness
94%
Danceability
28%
Energy
25%
Instrumentalness
3%
Liveness
21%
Loudness
74%
Speechiness
4%
Valence
17%
Popularity
Loudness
-15.875 dB

Summary

"Awakenings, Act II, Scene 2: Leonards room, a week later. September 1969" by Tobias Picker, Aryeh Lev Stollman, Boston Modern Orchestra Project, Gil Rose was released on September 15, 2023. Since Awakenings, Act II, Scene 2: Leonards room, a week later. September 1969 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "Tobias Picker: Awakenings". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Awakenings, Act II, Scene 2: Leonards room, a week later. September 1969 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Awakenings, Act II, Scene 2: Leonards room, a week later. September 1969 BPM

With Awakenings, Act II, Scene 2: Leonards room, a week later. September 1969 by Tobias Picker, Aryeh Lev Stollman, Boston Modern Orchestra Project, Gil Rose having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Awakenings, Act II, Scene 2: Leonards room, a week later. September 1969 Key

This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Haugtussa, Op. 67: III. Blåbaer-li by Charlotte Hoather, George TodicaHaugtussa, Op. 67: III. Blåbaer-liCharlotte Hoather, George TodicaF Major27B92 BPM
Puts: The Hours, Act 1: Puts: The Hours, Act 1: "Oh Dan. Roses? On Your Birthday?" (Laura, Dan, Richie, Chorus) [Live]Kevin Puts, Yannick Nézet-Séguin, Brandon Cedel, Kai Edgar, Kelli O'Hara, Metropolitan Opera Chorus, Metropolitan Opera OrchestraA Major111B79 BPM
Violin Concerto: III. Electric by Christopher Alan Schmitz, Amy Schwartz Moretti, London Symphony Orchestra, Stefan SanderlingViolin Concerto: III. ElectricChristopher Alan Schmitz, Amy Schwartz Moretti, London Symphony Orchestra, Stefan SanderlingF Major27B129 BPM
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XVIII. Vivo by Igor Stravinsky, Vladimir Jurowski, London Philharmonic OrchestraPulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XVIII. VivoIgor Stravinsky, Vladimir Jurowski, London Philharmonic OrchestraG Minor06A140 BPM
Carmina Burana, Pt. 1: No. 7, Floret silva nobilis by Carl Orff, Atlanta Symphony Orchestra, Robert ShawCarmina Burana, Pt. 1: No. 7, Floret silva nobilisCarl Orff, Atlanta Symphony Orchestra, Robert ShawD Minor17A138 BPM
Valses nobles et sentimentales, M. 61 (1912 Version for Orchestra): No. 3, Modéré by Maurice Ravel, Basque National Orchestra, Robert TrevinoValses nobles et sentimentales, M. 61 (1912 Version for Orchestra): No. 3, ModéréMaurice Ravel, Basque National Orchestra, Robert TrevinoC Major08B82 BPM
Symphony No. 2 - Symphony No. 2 - "Aussöhnung"Tobias Picker, Houston Symphony, Leona Mitchell, Sergiu ComissionaG Major19B87 BPM
Approaching the Crazed Myth Hunter by Milo PaulusApproaching the Crazed Myth HunterMilo PaulusF♯ Major32B65 BPM
And Tired From Happiness, They Started to Dance: I. Shadows in the Mirror by Jüri Reinvere, Estonian Festival Orchestra, Paavo JärviAnd Tired From Happiness, They Started to Dance: I. Shadows in the MirrorJüri Reinvere, Estonian Festival Orchestra, Paavo JärviG Major29B85 BPM
Respighi: Pines of Rome P. 141: The Pines of Janiculum by Ottorino Respighi, San Francisco Symphony, Esa-Pekka SalonenRespighi: Pines of Rome P. 141: The Pines of JaniculumOttorino Respighi, San Francisco Symphony, Esa-Pekka SalonenB Major01B95 BPM
ISRC
USJFZ2200509
Label
L-M Records/RCA Records

Section: 0.8319549560546875

End: 0.8369715213775635