"Harp Concerto: III. Gavotte" by Alexander Mosolov, Taylor Ann Fleshman, Moscow Symphony Orchestra, Arthur Arnold was released on December 4, 2020. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Alexander Mosolov, Moscow Symphony Orchestra, Taylor Ann Fleshman, Arthur Arnold's "Mosolov: Symphony No. 5 & Harp Concerto" album is number 6 out of 7. In terms of popularity, Harp Concerto: III. Gavotte is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Harp Concerto: III. Gavotte by Alexander Mosolov, Taylor Ann Fleshman, Moscow Symphony Orchestra, Arthur Arnold to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Pieces in Old Style: No. 3. Menuetto II | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | D Major | 1 | 10B | 119 BPM | ||
Schnittke: Piano Quintet: II. In tempo di valse | Alfred Schnittke, Borodin Quartet, Ludmila Berlinskaya | B♭ Major | 0 | 6B | 80 BPM | ||
Como en las Grandes Citas | Asklepios | A Minor | 4 | 8A | 90 BPM | ||
Masquerade Suite: Nocturne | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | A Major | 1 | 11B | 105 BPM | ||
String Quartet No. 8 in C Minor, Op. 110: 1. Largo | Dmitri Shostakovich, Borodin Quartet | C Minor | 1 | 5A | 114 BPM | ||
Symphonie fantastique, Op. 14, H. 48: IV. Marche au supplice | Hector Berlioz, Leonard Bernstein, New York Philharmonic | G Minor | 3 | 6A | 78 BPM | ||
Sonata No.2 In C Minor, BWV 526: 1. Vivace | Johann Sebastian Bach, Karl Richter | G Minor | 1 | 6A | 85 BPM | ||
3 Pieces in Old Style: No. 2. Menuetto I | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | A Minor | 1 | 8A | 155 BPM | ||
Erlkönig D. 328 | Franz Schubert, Matthias Goerne, Andreas Haefliger | F Minor | 2 | 4A | 84 BPM | ||
Prelude in C Major, Op. 2: II. Prelude in B Major, Op. 3, No. 1 | Julian Scriabin, Evgeny Zarafiants | B Major | 0 | 1B | 117 BPM |
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