Asklepios's 'Como en las Grandes Citas' came out on November 4, 2023. The duration of Como en las Grandes Citas is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Como en las Grandes Citas's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 19 in Batallas de Realidad by Asklepios. Going off of the ISRC code of this track, we detected that the origin of this track is from United Arab Emirates. In terms of popularity, Como en las Grandes Citas is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Como en las Grandes Citas by Asklepios is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ye, Who Seek the Truth | Julia Perry, Arr. Jannina Norpoth, James Blachly, Experiential Orchestra | C Major | 4 | 8B | 89 BPM | ||
Rubbra: Improvisations on Virginal Pieces by Giles Farnaby, Op. 50: No. 4, Loth to depart | Edmund Rubbra, Sir John Barbirolli, Hallé | F Minor | 2 | 4A | 74 BPM | ||
Variations & Fugue on a Theme of Mozart, Op. 132: Var. 3, Con moto | Max Reger, Dresdner Philharmonie, Jörg-Peter Weigle | C Minor | 2 | 5A | 89 BPM | ||
St. Paul's Suite, Op. 29, No. 2: I. Jig | Gustav Holst, Budapest Strings, Karoly Botvay | G Major | 2 | 9B | 121 BPM | ||
Mentiras Volatiles | Asklepios | A Minor | 5 | 8A | 99 BPM | ||
Shchedrin: Carmen Suite: VIII. Bolero (after Bizet's opera) | Rodion Shchedrin, Rachmaninoff International Orchestra, Mikhail Pletnev | A Minor | 6 | 8A | 175 BPM | ||
Symphony Fantastique Op.14: Songe d'Une Nuit du Sabbat (Larghetto-Allegro) | Alberto Lizzio, South German Philharmonic Orchestra | G Minor | 1 | 6A | 109 BPM | ||
12 Songs, Op. 21: VII. Zdes' Khorosho (Orchestral Version) | Sergei Rachmaninoff, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | A Major | 0 | 11B | 76 BPM | ||
弦楽のためのアダージョ (バーバー)[式後の音楽] | ソフィア交響楽団 | B♭ Minor | 1 | 3A | 78 BPM | ||
踊る人形 | Ede Poldini, Sir Charles Groves, フィルハーモニア管弦楽団 | D Major | 1 | 10B | 87 BPM |
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